A Quote by Scott Storch

You can call me a beat-maker, but I'm a record producer. — © Scott Storch
You can call me a beat-maker, but I'm a record producer.
I really love Stuart Price, he's a great producer and beat maker.
A producer gets the whole vision done from top to bottom, to making the record to having the record delivered to the world. That's a producer.
I went through UFC with five title defenses. Jonny 'Bones' Jones beat my record, so I'm trying to beat his record. That's my goal. That's what I want to do.
I can't freestyle or else I'll just start saying anything, so I'll write the song first and then record. I'll rap to the producer and he'll make the beat off my rap.
You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.
Some call me director, producer, filmmaker. I prefer to call myself pube-king.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I never thought of breaking a record. The only ambition I had was to become the fastest century maker for India, which I did when I broke Azharuddin's record.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I work with any producer that brings me a hot beat, but you don't always know if it's a sample.
I was the youngest producer to have a No. 1 record when Kris Kross first came out, and that was a record I held for I don't know how long.
Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer's job.
In the beginning, somebody told me there was a record in the cruiserweight division where Evander Holyfield became the champion. I thought about that, and I told my team, 'Let's make our own history, our own record, to beat Holyfield's record.'
I got out of the music industry many years ago. I had a charlatan for a producer who I wanted nothing to do with. He's dead now, so I guess I can't beat that horse any more. It left a very bad taste in my mouth, so I just went on about my business doing what I do and not involving myself with record companies, except for distribution.
I remember the first 45 record I bought. It was called 'A Dog a Donut'; it was a breakbeat. Actually, I think I bought two at one time, and the other one was 'Dance to the Drummer's Beat.' Those are breakbeats. I paid a dollar for it, for each one. Your average producer or DJ would know who came out with those.
When I'm not singing, I'm a lot of persons: I'm a producer. I'm a badminton player. I'm a writer. I'm a movie freak. I'm a documentary maker.
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