A Quote by Scott Thompson

My theory is that comedy comes from little people. — © Scott Thompson
My theory is that comedy comes from little people.
Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
Theory is worth but little, unless it can explain its own phenomena, and it must effect this without contradicting itself; therefore, the facts are sometimes assimilated to the theory, rather than the theory to the facts.
We have little bits of comedy throughout our films but this is like a full-on comedy. I had great time. It was fun to do a comedy and see a lot of the people I worked with on our previous films and meet some new actors. It was a good experience for me.
We always wanted to make a comedy that was a little bit more than that, which had tragic elements to it... that people engaged with - an intelligent comedy essentially.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
Theory without practice is of little value, whereas practice is the proof of theory.Theory is the knowledge, practice the ability.
There's a theory with comedy that you shouldn't do anything that's too topical in your specials because people won't be able to watch them in five years. But I look at Trump in the same way I look at Mr. T. I can watch comedy jokes about Mr. T in the '80s and still understand what they're talking about.
I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
Science would like to tell us that people laugh because of the benign violation theory, but comedy doesn't have hard rules.
The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.
I'm writing a political comedy that takes place in Canada in Quebec. It's funny. Saying political comedy is a little redundant but it's a first. I've never done any comedy per se.
In Darwin's theory, you just have to substitute 'mutations' for his 'slight accidental variations' (just as quantum theory substitutes 'quantum jump' for 'continuous transfer of energy'). In all other respects little change was necessary in Darwin's theory...
My theory about comedians is that their greatest fear is other people laughing at them. So comedy is an attempt to control and manipulate the thing they find most frightening.
What I love is the comedy of the body. It's a little highfalutin', but you can even say pre-verbal comedy. People laugh differently at stuff that isn't brought to them via the spoken word. It's from a different place; it's a different quality of laughter.
I think there's just too much comedy. Sometimes I get requests from people: 'How do I get into comedy?' And I always say that what we need is more people in health care. And less people in comedy.
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