A Quote by Scott Turow
If the rewards to authors go down, simple economics says there will be fewer authors. It's not that people won't burn with the passion to write. The number of people wanting to be novelists is probably not going to decline - but certainly the number of people who are going to be able to make a living as authors is going to dramatically decrease.
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Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life.
I had one of those defining moments in the fourth grade when my teacher said the story I wrote was the best in the class, and therefore I would be going Young Authors Conference where I'd get to hang out with authors all day.
People say to us, look, it may well be the case that there are fewer wars and fewer genocides, but surely more people are being killed. But when we look at this, the number of people killed in wars involving a state every year, all the wars, and you can see there's a high point, that's the Korean war, and it keeps on going down and down and down. If you look at the average number of people killed per conflict per year, it goes from 37-thousand in 1950 to just 600 in 2002.
MCs are authors, and rock musicians who write lyrics are authors, to a degree.
We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
The trouble is when people read about authors, they don't feel compelled to read the authors' work.
I don't know what will happen to the physical book and what it will mean for authors. I worry whether it will mean people can still make their careers this way. Will whatever comes next allow people to be able to own their ideas and be able to take time to develop them?
Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists.
It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.
My urge at Christmas time or Hanukkah-time or Kwanzaa-time is that people go to bookstores: that they walk around bookstores and look at the shelves. Go to look for authors that they've loved in the past and see what else those authors have written.
I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.
Picture books, while less in word count, are certainly not less important. There are unbelievably skillful authors writing in this vein. Authors like Jane O'Connor and Jon Scieszka.
As a coach, they would love to sit there and say, 'It's going to be five steps, you're going to hitch up into a perfect pocket, you're going to look at number one - no; you're going to go to number two - no.' It doesn't work that way.
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