A Quote by Scott Turow

I adore the company of other writers because they are so often lively minds and, frequently, blazingly funny. And of course, we get each other in a unique way. — © Scott Turow
I adore the company of other writers because they are so often lively minds and, frequently, blazingly funny. And of course, we get each other in a unique way.
I think maybe writers come from different planets. I mean, not in any sense as extravagant as Baryshnikov. But there are some writers who understand each other this way and others who understand each other that way. Then there's this great herd, the "herd of independent minds."
We pass the word around; we ponder how the case is put by different people, we read the poetry; we meditate over the literature; we play the music; we change our minds; we reach an understanding. Society evolves this way, not by shouting each other down, but by the unique capacity of unique, individual human beings to comprehend each other.
The superpowers often behave like two heavily armed blind men feeling their way around a room, each believing himself in mortal peril from the other, whom he assumes to have perfect vision. Each side should know that frequently uncertainty, compromise, and incoherence are the essence of policymaking. Yet each tends to ascribe to the other a consistency, foresight, and coherence that its own experience belies. Of course, over time, even two armed blind men can do enormous damage to each other, not to speak of the room.
Forcing people into a situation where they're supposed to adore each other is probably bad. But letting people get on and off the 6 train without stabbing each other, that's good.
… that sour blend of loneliness and lust for recognition, shyness and extravagance, deep insecurity and self-intoxicated egomania, that drives poets and writers out of their rooms to seek each other out, to rub shoulders with one another, bully, joke, condescend, feel each other, lay a hand on a shoulder or an arm round a waist, to chat and argue with little nudges, to spy a little, sniff out what is cooking in other pots, flatter, disagree, collude, be right, take offence, apologise, make amends, avoid each other, and seek each other’s company again.
People need each other to help each other up. But we can't stand near each other because we fear each other. When you get over fear, nothing matters anymore but love.
My brothers and sister and me grew up making fun of each other, the way we'd speak or move. When we get together, everyone's funny, quick, loud, and speaks on top of each other. It was like a great comedy school; nothing is precious.
Society evolves not by shouting each other down, but by the unique capacity of unique, individual human beings to comprehend each other.
Over time, it also became important for me to share my management principles with the people I worked with because we had to agree on how we should be with each other - and that way is unique. Because the logic behind being radically honest and radically transparent with each other wasn't clear, it had to be spelled out in these principles.
Children get acquainted with each other in a special way, they do not make contracts as adults, they believe each other or not. Childish friendships often end in violence. You may become an enemy all of a sudden as well as notice that you are someone's best friend.
I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
Men often hate each other because they fear each other; they fear each other because they don't know each other; they don't know each other because they can not communicate; they can not communicate because they are separated.
If you start off writing an album with a band, the reality is that you're constantly in each other's company, so it's really important that you get on with each other.
As the world is getting smaller, it becomes more and more important that we learn each other's dance moves, that we meet each other, we get to know each other, we are able to figure out a way to cross borders, to understand each other, to understand people's hopes and dreams, what makes them laugh and cry.
One and one and one and one doesn't equal four. Each one remains unique, there is no way of joining them together. They cannot be exchanged, one for the other. They cannot replace each other.
When my father first took me to Ennis Library I went down among the shelves and felt company, not only the company of writers, but the readers too, because they had lifted and opened and read these books. The books were worn in a way they can only get worn by hands and eyes and minds
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