A Quote by Scott Turow

All my novels are about the ambiguities that lie beneath the sharp edges of the law. — © Scott Turow
All my novels are about the ambiguities that lie beneath the sharp edges of the law.
Warped with satisfactions and terrors, woofed with too many ambiguities and too few certainties, life can be lived best not when we have the answers - because we will never have those - but when we know enough to live it right out to the edges, edges sometimes marked by other people, sometimes showing only our own footprints.
Art is about the edges and the sharp corners and those places are not conducive to activism, which is about putting on a gloss.
I'll tell you, my friends: it's all in the nerves. The nerves that tense and relax as you approach the edges of companionship and love. The razor-sharp edges of companionship and love.
Carrie doesn't seem to talk about anything with sharp edges. Maybe she's afraid they might poke her and then she'd burst.
Some wits, too, like oracles, deal in ambiguities, but not with equal success; for though ambiguities are the first excellence of an imposter, they are the last of a wit.
Don't necessarily avoid sharp edges. Occasionally they are necessary to leadership.
My new knight mistress is famed for wielding sharp edges: Sword, Knife and Tongue!
All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.
Who wants a bag of bones?” he said, with absolute sincerity. “I don’t want to hurt myself on the sharp edges of the woman I’m bedding.
I can imagine no greater bliss than to lie about, reading novels all day.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
Well, the truth is that a lot of people lie about their health, they lie about the finances, they lie about things at work, they lie about things.
Bad schools, crime, drugs, high taxes, the social security mess, racism, the health care ? crisis? unemployment, welfare state dependency, illegitimacy, the gap between rich and poor. What do these issues have in common? Politicians, the media, and our so-called leaders lie to us about them. They lie about the cause. They lie about the effect. They lie about the solutions.
I think 'Avatar' is much more appropriate to high frame rates because it's like a ride, and it's futuristic, and vividness and sharp edges and clarity would be an asset.
For my money, if I'm playing anything then it has to have some sharp angles on it. It's got to have some edges that you can cut yourself on, otherwise it's boring.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
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