A Quote by Scott Weiland
Bowie is probably my favorite all-around songwriter and performer and personality. His ability to change over the years is such an inspiration. I love 'Young Americans' and 'Fame.'
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David Bowie is my biggest inspiration. Pretty much the only thing that stayed the same with Bowie was his eyes. Everything else constantly changed, from his sexuality to his songs.
For me, as a performer or a songwriter, Stevie Nicks is always a huge inspiration as well as Iggy Pop.
I believe your personality is formed at a very early age. Fame can magnify that personality, for good or bad, but it can't change it. So when people say to me, 'Don't change,' I'm thinking, To what? To who? Who else would I be?
My dad's cooking was magic in the kitchen. But eventually over the years, his personality changed and his ability to remember recipes failed. He became paranoid and thought people were stealing from him, when often he was just misplacing things.
[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
I think I was around 10 or 11 years of age when I got my first guitar, but I can remember being as young as 3 or 4 watching my father jam on acoustic to his favorite rush and Jimmy Hendrix albums so I have always been around music.
I felt like I grew up with Bowie. I never dressed like him, even though I did love the music, but consistently throughout my career he has been a go-to reference point: The suit from 'Young Americans,' or the gold Missoni-type looks of Ziggy Stardust. 'The Berlin Years' still influences me.
The title song of David Bowie's 'Young Americans' is one of his handful of classics, a bizarre mixture of social comment, run-on lyric style, English pop and American soul.
On 'Kaputt,' singer-songwriter Dan Bejar reevaluates his band's sound and drifts away from the David Bowie comparisons that have plagued even his best albums.
After Mengistu consolidated his power in 1978, his personality gradually began to change. His ability to listen and his patience faded away. We could now see these qualities were pretences only; he had been putting on his best behavior in his bid for support.
Now U2's not my favorite band, but I do respect them, and in the same way I respect Bowie: They change without fear of change.
I wanted to be a songwriter.I didn't so much want to be a performer.I more grew into that just from being a songwriter.
As a songwriter, I was influenced by David Bowie - a great writer. A class above everybody in so many ways. Lennon and McCartney, of course. Class stuff. David Cousins was my favorite lyricist.
Improvisation in general is good, and improvising material into themes, turning the material into something codified and repeatable, taught me scenic structure and dramatic gambits that work and things that are appealing both as a performer and an audience member, like you know, what does "want" really mean in a scene, and how do you achieve your want, and how is that expressed, and how do you achieve closure? Those are all things that I learned performing at the cabaret after just doing the same scenes over and over and over again over the years, with my own ability to change.
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
I want to change how people perceived me when I came over here, change how the people perceive South-East Asians or Middle Eastern or Muslim or Hindu or whatever their identity is. I want them to just let that go and treat the performer as a performer.
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