A Quote by Scott Weiland

I want a performance style that's more cerebral and emotional than physical. I want to be a creative artist, not a whirling dervish. — © Scott Weiland
I want a performance style that's more cerebral and emotional than physical. I want to be a creative artist, not a whirling dervish.
I have my own little sense of style. As far as image goes today for a new artist, you'll find that fashion is really important. I wouldn't want to show up for a performance in something that is absolutely the opposite of who I am as an artist.
I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.
My life often feels like a whirling dervish of kids, writing, speaking, and pastoral ministry.
I'm more cerebral than I want to be.
You don't want to bring an actor in and force them into a performance. You want their input. You want their creative thoughts.
My experience of singing, as an actor, was that there's a different creative feeling of freedom. The acting thing is a bit more defined and cerebral. I can see why people would want to cross over. If you have so much freedom on stage then perhaps you want to be confined a bit, and vice versa.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
I feel like when you're an artist and you first come out - people don't want you to be as creative as you could possibly be as a musician. More so they really want you to stick to something.
I want people to leave the theater wrestling with the idea that our pain - physical, emotional, and spiritual pain - is more than just a condition that needs to be silenced, numbed, or "fixed."
This group came on stage, Big Brother and the Holding Company, and this whirling dervish, this electrifying white soul singer was so riveting. And I'm seeing this and I said, 'My God, this is a musical revolution.'
I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.
For sure, with golf it's not a physically demanding sport like tennis. That's what makes tennis great - you combine both things. It's a very mental sport and at the same time can be dramatically physical. But I do admire the mentality of sport more than the physicality because physical performance is much easier to practice than mental performance.
A lot of teams don't think I'm physical, although some do. Some say I can be physical at times, but they don't see the physicality all the time. I tell them, "Do you want a guy who is a knockout artist or do you want a sure tackler?" From what I know, all tackles, big or not, count the same.
As a creative, as an artist, I'm just excited when people want my stuff, and want to experience it.
The Bernabeu faithful doesn't want a similar style to Barca. They want a more direct style of football.
We want character but without unyielding conviction; we want strong morality but without the emotional burden of guilt or shame; we want virtue but without particular moral justifications that invariably offend; we want good without having to name evil; we want decency without the authority to insist upon it; we want more community without any limitations to personal freedom. In short, we want what we cannot possibly have on the terms that we want it.
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