A Quote by Scott Westerfeld

Dare to ask, "Where is my novel too simple?" — © Scott Westerfeld
Dare to ask, "Where is my novel too simple?"

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At first I wanted to go to university, but I really didn't dare to. I was too self-conscious, being a working-class kid. It was really difficult. I was going to study history, but the professor asked me some questions I didn't understand, and I didn't dare to ask what they meant. I left university and went to work in the Post.
In this astonishing novel Amirrezvani reminds us what all human hearts suffer and dare. Equal of the Sun is an irresistible novel.
Einstein was a man who could ask immensely simple questions. And what his work showed is that when the answers are simple too, then you can hear God thinking.
Pace doesn't mean speed; it means the right speed. Diagnosis and cure are simple. If you've reached where you want to be in your story too quickly, ask yourself what you've left out. If you've come to a certain point too slowly, ask yourself what kept you so long.
Dare to be what you ought to be, dare to be what you dream to be, dare to be the finest you can be. The more you dare, the surer you will be of gaining just what you dare!
I ask myself questions that journalists don't dare to ask or don't know how to ask.
I have tried (I am not sure how successfully) to write plain tales. I dare not say they are simple; there is not a simple page, a simple word, on earth -\-\ for all pages, all words, predicate the universe, whose most notorious attribute is its complexity.
Too many commercials. Too many lies. Too many celebrities. I don't recognize. Too many brand names. Too many magazines. I got so much sensation, I can't feel a thing. Simple. Living. Got to get to simple - living. Simple living. Simple... simply living.
You are very familiar with Western ways, but you are too young. You go everywhere to follow the big news, but the questions you ask are too simple -- sometimes naive.
You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.
For wanderers, dreamers, and lovers, for lonely men and women who dare to ask of life everything good and beautiful. It is for those who are too gentle to live among wolves.
I dare not ask a kiss; I dare not beg a smile; Lest having that or this, I might grow proud the while. No, no, the utmost share Of my desire shall be Only to kiss that air, That lately kissed thee.
A good novel cannot be too long or a bad novel too short.
The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness--too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth.
In general, I think every novel is a political novel, in that every novel is an argument about how the world works, who has power, who has a voice, what we should care about. But political novels can be boringly polemical if they end up being too black and white, too one dimensional, like war is bad, killing people is wrong.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
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