A Quote by Scott Westerfeld

That letter was your whole future, you daft prince." "It was my past. I lost that the night my parents died. But I found you, Deryn. Maybe I wasn't meant to end the war, but I was meant to find you. I know that. You've saved me from having any reason to keep going." "We save each other. That's how it works.
When you don't know your values or who you are or you start to believe things other people are telling you, you get lost. I was just lost because I didn't know what I meant to music or what music meant to me. Now I just belong solo and I belong by myself.
Never listen to a phone call that isn't meant for you. Never read a letter that isn't meant for you. Never pay attention to a comment that isn't meant for you. Never violate people's privacy. You will save yourself a lot of anguish.
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me?and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
I knew that life itself was this journey, and I've always seen it as a kind of school in that we're meant to have fun, and we're meant to grow, and we're meant to evolve and learn to be better humans and how to love each other better and how to love ourselves and become a part of a community of love on this planet.
Because this is our life. We met on the road; we grew to know and to love each other on the road. It's where we were meant to be for however long, and it's what we're going to do until it becomes clear that we're meant to do something else.
I teach you that there is no other aim than to live with such totality that each moment becomes a celebration. The very idea of "aim" brings future into the mind, because any aim, any end, any goal, needs future. All your goals deprive you of your present, which is the only reality you have. The future is only your imagination, and the past is just footprints left in the sands of your memory. Neither is the past real anymore, nor is the future real yet. This moment is the only reality.
There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
Brexit was meant to be about taking back control, we are ceding control; it was meant to be about trade deals, we are not going to have any meaningful trade deals; it was meant to be about having a turbo-charged tiger economy on the edge of Europe, we are going to be bound by the common rule book that we won't have a hand in shaping.
As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.
I know in the Christian church the old ladies use to say "what the devil meant for bad God meant for good." So some of the things that I think they went out and tried to be detrimental to my life saved me in a lot of ways.
Being a slave meant never having the stability of knowing your family would be together as many years as God designed it to be. It meant you could come back from picking cotton in a field to find that your children are gone, your husband's gone, your mother's gone. It meant knowing you are property that could be sold to the highest bidder, of value only to continue to support the plantation economy.
What did dead mean, Ray wondered. It meant lost, it meant frozen, it meant gone.
Your hands weren't meant to take peoples lives. They were meant to save them.
When you are unsure about the future, keep doing what is in front of you with all your heart and with love, and what is meant for you will find you.
Emotional grandeur, rendered in the vernacular, has been Mona Simpson's forte. In her novels, 'Anywhere but Here,' 'The Lost Father' and 'A Regular Guy,' Simpson wrote wide and long and high about the most profound human bonds: parents and children lost each other, found each other, lost each other again, but differently.
How as an actress are you meant to inhabit other people if you haven't lived? How are you meant to play someone who gets the bus to work or has a part-time job or whatever if I've never experienced any of it myself or if I haven't been to school? How does that make me someone that people can relate to? I don't think it's possible really.
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