A Quote by Scott Westerfeld

Warning stickers on books would be a nightmare. — © Scott Westerfeld
Warning stickers on books would be a nightmare.
I am warning my people, but I'm also warning Iran, and warning Saudi Arabia, and warning China and Russia and Europe. We are at the end of this world.
No, I don't autograph blank slips, checks, or stickers, and certainly no books without me in them.
[Pascal] was the first and perhaps is still the most effective voice to be raised in warning of the consequences of the enthronement of the human ego in contradistinction to the cross, symbolizing the ego's immolation. How beautiful it all seemed at the time of the Enlightenment, that man triumphant would bring to pass that earthly paradise whose groves of academe would ensure the realization forever of peace, plenty, and beatitude in practice. But what a nightmare of wars, famines, and folly was to result therefrom.
You'll remember Dr. Rice said that several times: It was not a warning about the place and the method and the time - it was a general warning. And that points out the imperfection, if you would, of our intelligence.
A lot of people don't like bumper stickers. I don't mind bumper stickers. To me a bumper sticker is a shortcut. It's like a little sign that says 'Hey, let's never hang out.'
I hate libraries for the way they put stickers on things. I don't approve of folding over pages, or of writing in books. God, forget scissors - that's beyond the pale.
If there's a cat, I obliterate it by putting polka dot stickers on it. I obliterate a horse by putting polka dot stickers on it. And I obliterated myself by putting the same polka dot stickers on myself.
Now an American president like [Ronald] Reagan wouldn't have a meeting, wouldn't have a summit. He'd give 'em a warning and then - or [Gerge W.] Bush would give 'em a warning and then - whatever would happen. Because you don't allow the murder of American citizens. You just don't permit it.
The title of my book is 'American Histories,' plural. And as far as I'm concerned, my reading of history is it is a sort of nightmare. It is a sort of nightmare, and I'm trying to wake up from it. And as any nightmare, it's full of much that is unspeakable.
Old or new, the only sign I always try to rid my books of (usually with little success) is the price-sticker that malignant booksellers attach to the backs. These evil white scabs rip off with difficulty, leaving leprous wounds and traces of slime to which adhere the dust and fluff of ages, making me wish for a special gummy hell to which the inventor of these stickers would be condemned.
I had the nightmare when I was like nine or ten or something, I always remembered pieces of that nightmare, the feeling from it. I've always wanted to make a horror film and so I always kept thinking about that nightmare.
By the time I reached the sixth form at my local grammar school, my father would glower at me every time I passed him with a stack of books under my arm, warning me there was no money to go to university.
Sometimes a certain project will have a smell... It will have a little stench about it. That is a warning signal. You know it's going to be a nightmare. You know they are not going to like it, and it's not worth it.
I think the reason I've published so few books is that I have a pretty high expectation of self-reinvention between books and I would prefer to have been in this world and published fewer works than I would publishing the books that would reveal the process of the changes.
We cannot allow the defense of American lives to be held hostage by the United Nations -- which has already given Saddam Hussein a final warning, and now wants to give him another final warning. And, if he doesn't heed that, they will threaten him with yet another warning.
The nightmare? The nightmare was myself. I was my own nightmare.
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