A Quote by Scott Wolf

If I could live a parallel life, I would be a sitcom star; being in front of a live audience would be great. — © Scott Wolf
If I could live a parallel life, I would be a sitcom star; being in front of a live audience would be great.
The great thing about a sitcom is that you're in front of a live audience, so you really get in touch with what audience reaction is, but also there are lots of elements of film that you're dealing with, and there's kind of a great boot camp or graduate school mentality to it, because you're going to suck.
When I came out to Hollywood in 1985, I thought that I would be sitcom star. I'm a tall, skinny, goofy guy. I thought that I would make a great funny neighbor, or wacky office mate, in a sitcom.
'Full House' was the first time I had ever been in front of a live audience. I said a line I had rehearsed with my mom, and they laughed. It was wild. To have that energy of the live audience was like, Whaaat? Feeding off that live audience was, to a 4 or 5 year old, a high.
The difference between doing a live show and a sitcom is that a sitcom can live on. If you do it well, it can leave a legacy, whereas most of our live work never gets repeated because it's final, it's done, you start again.
One day, when I'm unable to physically perform, would I want to pursue more of an acting career? Eh, maybe. But I think my home is with the WWE, being on the road and wrestling in front of a live audience.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
Would you be willing to give your life to save the world if no one ever knew your name? If anonymity was the price you would have to pay for significance, would it be too great a price? To live a life of courage is not a guarantee of prestige or adulation. It only matters if you live and die fulfilling the mission you were born for.
I'm very lucky to be on 'Melissa and Joey' because it's a multi-cam sitcom, and it was a nice transition from theatre because it's taped in front of a live audience.
I was sitting at home and had a profound experience. I experienced, in all of my Being, that someday I was going to die, and it wouldn't be like it had been happening, almost dying but somehow staying alive, but I would just die! And two things would happen right before I died: I would regret my entire life; I would want to live it over again. This terrified me. The thought that I would live my entire life, look at it and realize I blew it forced me to do something with my life.
We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. ... I wanted to sort of stop and yell at them, "What's so funny? What's the matter with you people? Grow up!" It made me very self-conscious at times.
You can kind of run drills and practice, rehab behind closed doors as much as you can, but there's nothing that simulates being in front of a live audience with live TV cameras.
I wanted to be the next Dana Carvey. This was my ultimate goal. If I ever cut into a birthday cake and made a wish, I would wish to be on 'Saturday Night Live.' If I threw a coin into a fountain, I would wish to be on 'Saturday Night Live.' If I saw a shooting star, I would wish to be on 'Saturday Night Live.'
Writing humor in my column isn't as dangerous as performing it. If I fail in front of a live audience, the humiliation is as great as anything a human being can suffer.
I've never done anything like 'Brotherhood' before. It was a great challenge to take up a part in a live audience sitcom - it was amazing.
If I could live as a tree, as a river, as the moon, as the sun, as a star, as the earth, as a rock, I would. ...Writing permits me to experience life as any number of strange creations.
I like anything with a live audience. I love sitcom work. I hope it comes back in fashion because I really love it. I love single-camera work, too, but in a different way than that live-audience thing, which is really exciting.
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