A Quote by Scott Yanow

Rob Mullins is a diverse keyboardist capable of both crossover and bop. — © Scott Yanow
Rob Mullins is a diverse keyboardist capable of both crossover and bop.
Rob Mullins' musical abilities are unquestionable.
Rob Mullins is headed for status as an international celebrity.
I got really sick of playing just, like, 'Bop-bop-bop-bada-bop-bop-bada-rapa-pah.' Just playing that 190-beats-per-minute punk-rock songs, I didn't feel it anymore. And I always loved melody - when you looked back on those early records, there's always a hook buried in there somewhere.
We not only grew up on Be-Bop; Be-Bop raised us. For my generation, Be-Bop came on like a light bulb going flash behind the eyes.For us, it was not only an intellectual movement, but a way of life. We walked, dressed, and rapped Be-Bop.
A-bop-bop-a-loom-op-a-lop-bop-boom.
If a guy is gonna to play good bop, he has to have a sort of a bop soul.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
I was washing dishes at the Greyhound bus station at the time and I said, 'Awap bop a lup bop a wop bam boom, take 'em out!'
I think the people are just looking for freedom in music...There's a lot of she-bop she-bop going on out there. Maybe they're tired of that same old thing.
'Cause it's jail, everyone thinks they're bad. So this one guy was like, 'What're you gonna do, 'Lean and Bop' for us?' I was cocky, I was like 'Oh yeah? It costs five racks to see me lean and bop, It costs five racks to see me lean and bop.' But deep down inside it was hurting. It's moments like that make me hate - I feel like I sold out.
What I write, if you have to label it, is crossover, and I think that much of the stuff that is called children's or YA is in fact crossover and is equally valid for anyone who likes to read fantasy.
When the lab rats hear the bell ringing, they freeze. That's what fear does to you - fear stops you dead in your tracks. Fear can keep you from harm, but fear can also rob you of your potential. Fear can rob you of an experience. Fear can rob you of happiness. Fear can rob you of real life... Darkness has a way of scaring us.
'Sorry' just fit the bill for the crossover that both Lost Stories and I were attempting to do musically.
It's just music. It's trying to play clean and looking for the pretty notes. The beat in a bop band is with the music, against it, behind it. It pushes it. It helps it. Help is the big thing. It has no continuity of beat, no steady chug-chug. Jazz has, and that's why bop is more flexible.
We made a commitment to making diverse stories with diverse characters brought to life by diverse artists.
I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.
This site uses cookies to ensure you get the best experience. More info...
Got it!