A Quote by Scotty Lago
On the adrenaline level, the excitement from landing a jump and hooking a big bass are similar.
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The bass is just the crayon that I picked out of the box. I'd probably be writing similar stuff if I played guitar or trumpet. The pictures I want to draw I do with this crayon I chose, which is the bass.
My style is clubby and groovy - you can jump to it, but you don't just have to just jump to it. It's not just really bass-heavy and hurts your ears; you move with it, and it sounds kind of tribal.
We get to choose how we're going to live - what level of energy, what level of vibrancy, what level of excitement.
One of my all-time favourite guitarists is, in fact, a bassist - John Entwistle from The Who. He's one of my all-time favourites, the way he kind of expanded. I mean, he could have been a lead guitarist and been one of the best guitarists in the world. He wasn't even bass player; he was a bass guitarist, and he took the bass to another level.
I'm a bass player and I'm a drummer - I'm a big fan of bass players.
If you can walk away from a landing, it's a good landing. If you use the airplane the next day, it's an outstanding landing.
Most rappers taste level ain't at my waist level. Turn up the bass 'til it's up in your face level.
Live, it's just the free flow and the energy and the excitement. It's a one-off and you have that adrenaline for an hour and a half.
I could be just as happy playing a Beatles song as I am when I'm thrashing out the double bass stuff with Adrenaline Mob.
When you're going a bit higher than you think you normally can, and you can feel the adrenaline and excitement of the public, that's really great.
Life is a free fall parachute jump. Pray all the way down and hope for a safe landing.
I'm not an adrenaline junkie; I won't jump out of aeroplanes and I'm afraid of horses. I just love surfing.
I used to be a session musician before I was a wrestler. I played bass guitar. I was big pals with Lars Ulrich, and he asked me if I wanted to play bass with Metallica in their early days, but it didn’t work out.
Lately Fish and I have been hooking up more, which is a good thing because it's just been a struggle for me as a bass player to play with someone who's so creative on the drums, and lately it's been really good, especially during sound checks.
I just thought it would be a fun rush of adrenaline to jump out of a plane three times.
I often use a return channel to get some shape out of the bass. It's a good way to split the frequencies of the bass so that the sub bass is clean and in mono and the higher end of the bass sound can be filtered off - have it on an audio channel and that's where you can use effects.
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