A Quote by S.E. Cupp
When I decided to see what Nascar was all about in 2005, it was an intellectual project, the same reason I went to the shooting range on West 20th Street and tried shooting a rifle at paper targets. I was addicted to both things instantly.
Related Quotes
I love long-range rifle shooting. I like anything that deals with precision. I also find that with archery. On my ranch, I have my own range with 3-D targets of animals and hay bales from different distances.
I am sometimes perplexed by people who refer to defensive rifles, or defensive rifle shooting. The defensive arm is the pistol, since you have it at hand to meet situations that you do not anticipate. If you have the luxury of anticipating a lethal encounter, you pick up a long arm, either a rifle or a shotgun, but in that case you go on to the attack. Thus rifle shooting is offensive, and pistol shooting is defensive. Of course, life does not always duplicate theory, and there are exceptions to everything, but nevertheless the rifle is not a defensive weapon in concept.
When shooting exploding rifle targets, check with local and state laws.
There are films that look very interesting when on paper, but things change while shooting. At times, things changed during post-production, and I see no reason to blame anything on anyone. It is a collaborative effort. If it failed, we should face it.
Shooting clay targets is a very cleansing experience. It's very relaxing. It takes a lot of concentration. It's also very social, since you're usually shooting with friends. You can talk and forget about almost anything else that's on your mind.
When I heard I had gotten 'Downton Abbey,' I remember I was standing on a freezing cold street in Manchester where we were shooting the Manchester part of 'West is West.'
Oh, yeah - I could see myself as a catch and shooter, come off curls and shooting. I really feel good about shooting the ball.
It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
My mother…was perfectly horrified when I began shooting and tried to keep me in school, but I would run away and go quail shooting in the woods or trim my dresses with wreaths of wildflowers.
I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.
Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.
Very close by the CMS shops, hidden about a quarter mile away in the woods, was the prison's rifle range. Correctional officers could spend quality time with their firearms down there, and the hammering of multiple rounds was typical background noise during our workdays. There was something unsettling about toiling away for a prison while listening to your jailers practice shooting you.
I like going to rifle and pistol clubs and joining them in target shooting. I also share the same respect for individual initiative and love of family.
I used to be the chief guest in all the prize distribution ceremonies of shooting competitions. I tried my hand on a lot of guns, and my aim improved. I started hitting tiny targets, like a mineral bottle cap.
The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.
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