A Quote by Seal
There is so much a man can tell you,So much he can say.You remain, my power, my pleasure, my pain
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As a brother, a landlord, a master, she considered how many people's happiness were in his guardianship! -- How much of pleasure or pain it was in his power to bestow! -- How much of good or evil must be done by him!
My history of moving away from drugs is not the kind you hear from most people. Certainly not from celebrities, especially those professionally recovering people. What I've noticed in my overuse of cocaine is the period of pleasure versus the period of pain. That is to say that when you first get high on anything, the pleasure is predominant and you don't pay much price. A little hangover or whatever it might be with another drug. But after a while the ratio begins to change, and there' s far more pain in the deal than pleasure. It just completely goes in another direction.
You know the pain is part of the whole thing. And it isn’t that you can say afterwards the pleasure was greater than the pain and that’s why you would do it again. That has nothing to do with it. You can’t measure it, because the pain comes after and it lasts longer. So the question really is, Why doesn’t that pain make you say, I won’t do it again? When the pain is so bad that you have to say that, but you don’t.
He shrugged his shoulders to shift the pain of failure---the pain that is so much greater than the pleasure of success.
Pleasure and pain spring not so much from the nature of things, as from our manner of considering them. Pleasure, especially, is never an invariable effect of particular circumstances.
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
To be sure an artist wishes to raise his standard intellectually as much as possible, but the man must remain in obscurity. Pleasure must be found in the studying.
Our senses will not admit anything extreme. Too much noise confuses us, too much light dazzles us, too great distance or nearness prevents vision, too great prolixity or brevity weakens an argument, too much pleasure gives pain, too much accordance annoys.
I would definitely say pleasure is not happiness. Because I think I kill pleasure. Like I take too much of it in, and therefore make it un-pleasurable, like too much coffee, and you're miserable.
Pleasure is not the goal of man, but knowledge. Pleasure and happiness comes to an end. It is a mistake to suppose that pleasure is the goal. The cause of all the miseries we have in the world is that men foolishly think pleasure to be the ideal to strive for. After a time man finds that it is not happiness, but knowledge, towards which he is going, and that both pleasure and pain are great teachers.
I'm just following the Irish tradition of songwriting, the Irish way of life, the human way of life. Cram as much pleasure into life, and rail against the pain you have to suffer as a result. Or scream and rant with the pain, and wait for it to be taken away with beautiful pleasure . . .
Doing ill to those on whom we have to make our power felt; for pain is a far more sensitive means for that purpose than pleasure: pain always asks concerning the cause, while pleasure is inclined to keep within itself and not look backward.
Read from a distant star, the majuscule script of our earthly existence would perhaps lead to the conclusion that the earth was the distinctively ascetic planet, a nook of disgruntled, arrogant creatures filled with a profound disgust with themselves, at the earth, at all life, who inflict as much pain on themselves as they possibly can out of pleasure in inflicting pain which is probably their only pleasure.
Sometimes you can tell a wise person not only by what he says but also by what he doesn't say. Remember, it is much better to say little than to say too much and regret it later.
For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure? Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?
Some directors don't say much. Michael Mann, for example. I remember on 'The Insider' he never had much to say. He would do a scene, just kind of nod, and then set it up to do it again. And you might do a scene 10 or 12 times or more, the same little 31-second bit. And you could tell he wasn't satisfied, but he wouldn't say much.
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