A Quote by Seamus Heaney

The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself - as a vocation and an elevation almost. — © Seamus Heaney
The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself - as a vocation and an elevation almost.
Life itself is the real and most miraculous miracle of all. If one had never before seen a human hand and were suddenly presented for the first time with this strange and wonderful thing, what a miracle, what a magnificently shocking and inexplicable and mysterious thing it would be.
That sense of a life in natural objects, which in most poetry is but a rhetorical artifice, was, then, in Wordsworth the assertion of what was for him almost literal fact.
we need poetry most at those moments when life astounds us with losses, gains, or celebrations. We need it most when we are most hurt, most happy, most downcast, most jubilant. Poetry is the language we speak in times of greatest need. And the fact that it is an endangered species in our culture tells us that we are in deep trouble.
I have never separated the writing of poetry from prayer. I have grown up believing it is a vocation, a religious vocation.
What men call love is a very small, restricted, feeble thing compared with this ineffable orgy, this divine prostitution of the soul giving itself entire, all its poetry and all its charity, to the unexpected as it comes along, to the stranger as he passes.
Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.
It is strange, but true, that the most important turning-points of life often come at the most unexpected times and in the most unexpected ways.
In my life, it would probably be giving birth to my daughter. That probably is the most, the thing that moved me the most, was the most memorable, the most wonderful, the most miraculous. I think a lot of women would probably feel that way, too.
Gradually I find that my whole soul is merging itself into this business of writing, and especially of writing poetry. I am going to try it; and am going to test, in the most rigid way I know, the awful question whether it is my vocation.
The life and vigor of poetry consists of the fact that it steps out of itself, tears out a section of religion, then withdraws into itself to assimilate it. The same is true of philosophy.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
Art is a vocation, as much as anything in this world. For the real artist, it is the most natural thing in the world, not as necessary as air and water, perhaps, but as food and water. But we really do lead almost a monastic life, you know; to follow it you very often have to give up something.
The poetry of life must not be replaced with matter-of-fact prose.
Poetry can keep life itself alive. You can endure almost anything as long as you can sing about it.
Along the journey we commonly forget its goal. Almost every vocation is chosen and entered upon as a means to a purpose but is ultimately continued as a final purpose in itself. Forgetting our objectives is the most frequent stupidity in which we indulge ourselves.
Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.
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