A Quote by Seamus Heaney

As a young poet, you need corroboration, and that's what publication does. — © Seamus Heaney
As a young poet, you need corroboration, and that's what publication does.
The experience that a publication creates for its audience is the very essence of that publication's brand - and without deep engagement, that publication's brand will be weak. A good publication is a convener and an arbiter - it expresses a core narrative that becomes a badge of sorts for its readership.
In the fall of 1963, in Leningrad, in what was then the Union of Soviet Socialist Republics, the young poet Dmitry Bobyshev stole the young poet Joseph Brodsky's girlfriend.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
The child and the poet know that Reality is what does not need to be realistic.
Living is the original art. As a young man I wanted to be a poet and I learned along the way that I already was a poet.
When I came back to New York, it was such a joke because I was always referred to as the pure young poet who wasn't in it for what he could get out of it. And all of a sudden, the pure young poet comes back... and I'm hanging out with the Rolling Stones.
If people are going to do post-publication peer review, they need to abide by the same rules as they abide by for pre-publication peer review: not being ad hominem, being respectful, giving the author a chance to respond in a reasonable way.
If a poet would work politically, he must give himself up to a party; and so soon as he does that, he is lost as a poet.
The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.
Belief in one's identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one's immortality... and the inevitable disillusionment is just as painful.
A poet dares to be just so clear and no clearer; he approaches lucid ground warily, like a mariner who is determined not to scrape his bottom on anything solid. A poet's pleasure is to withhold a little of his meaning, to intensify by mystification. He unzips the veil from beauty, but does not remove it. A poet utterly clear is a trifle glaring.
The relation between a poet and audience is really insignificant. What matters is the poet is hearing something that he is broadcasting. And whether there is anybody with a receiver isn't the reason he does it. He hopes there is somebody receiving it.
The young artist of today need no longer say 'I am a painter,' or 'a poet,' or 'a dancer.' He is simply an 'artist.' All of life will be open to him.
A person of mature years and ripe development, who is expecting nothing from literature but the corroboration and renewal of past ideas, may find satisfaction in a lucidity so complete as to occasion no imaginative excitement, but young and ambitious students are not content with it. They seek the excitement because they are capable of the growth that it accompanies.
A poet dares be just so clear and no clearer... He unzips the veil from beauty, but does not remove it. A poet utterly clear is a trifle glaring.
Writing for publication is an art, a craft, and a business, so you need to develop skill sets in multiple areas. You need to learn how to be a marketer just as much as you need to get past your influences and develop your unique prose voice. And you can't do it alone. You need a strong emotional support system to help cope with the frustrations and setbacks.
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