A Quote by Seamus Heaney
Your temperament is what you write with, but it's also how you deal with the world.
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Well, a daughter is someone you've grown up with, right? So you know her temperament, you know what makes her angry and how to deal with that person. You're meeting your daughter-in-law when she is an adult already and you don't quite know what her temperament is like, so it takes time to gel.
Temperament is fixed, set. The skull, followed by the temperament: the two hardest parts of the body. Follow your temperament. It is not a philosophy, It is a rule, like the Rule of St Benedict.
I happen to be unfortunately temperamental. No, my temperament is also, what you describe to rainfalls, the will of society, to combat a number of contradictions. That happens to be my creative temperament.
In my book Radical Reform I made it clear that we cannot talk about the environment or ecology if we don't also deal with the economy. There is a direct link between how we deal with the economy and how we deal with nature.
There's a great deal of difference between temperament and temper. Temperament is something you welcome creatively, for it is based on sensitivity, empathy, awareness ... but a bad temper takes too much out of you and doesn't really accomplish anything.
I think diversity can also be a resource, an asset, especially in a world that is becoming globalized, to deal with difference, to deal with variety, to deal with complexity.
It's not that you make up your ideas to justify your temperament but that it's the temperament first.
My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down.
To me, writing is about how we see. The writers I want to read teach me how to see-see the world differently. In my writing there is no separation between how I observe the world and how I write the world. We write through our eyes. We write through our body. We write out of what we know.
I have one of the great temperaments. I have a winning temperament. Hillary Clinton has a bad temperament. She's weak. We need a strong temperament.
I started writing a journal, and I was learning so much along the way. How to deal with your family, how to deal with your friends.
Ask how to live? Write, write, write, anything; The world's a fine believing world, write news.
I have students that I tell, "If your book doesn't sell or you can't publish it, write another book. Quit sitting around." The publishing world is a business, but it's not any big deal. An editor is not your guru. Your agent is not your guru.
It is truly excellent to have someone believe in you and your ability to write. But I think it is just as helpful to have people who don't believe in you, people who mock you, people who doubt you, people who enrage you. Fortunately, there is never a shortage of this type of person in the world ... write for yourself. Write for the story. And write, also, for all of the people who doubt you. Write for all those people who are not brave enough to do this grand and wondrous thing themselves. Let them motivate you.
A great deal of my mail comes from fans of the 'Oz' picture - fans of all ages. The scholarly, the curious, the disbelievers write and ask how? why? when? what for? did you fly? melt? scream? cackle? appear? disappear? produce? sky-write? deal with monkeys? etc., etc., etc.
I hope you will judge yourselves not on your professional accomplishments alone, but also on how well you have addressed the world's deepest inequities...on how well you treated people a world away who have nothing in common with you but your humanity.
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