A Quote by Seamus Heaney

In poetry, everything can be faked but the intensity of utterance. — © Seamus Heaney
In poetry, everything can be faked but the intensity of utterance.
Prophetic utterance, like poetic utterance, transforms experience and moves the receiver to new attitudes. The kinds of experience--the recognitions or revelations--out of which both prophecy and poetry emerge, are such as to stir the prophet or poet to speech that may exceed their own known capacities; they are "inspired," they breathe in revelation and breathe out new words; and by so doing they transfer over to the listener or reader a parallel experience, a parallel intensity, which impels that person into new attitudes and new actions.
The only award I've been nominated for is a Scottish BAFTA. A Scottish BAFTA, it's like hearing that the animals have their own Olympics. You hear all this stuff about TV being faked. Of course it's faked. It's all faked. That documentary a couple of weeks ago about tribal warfare among monkeys, that was all filmed in a Yates wine lodge in Dundee. Comic Relief is faked. Everybody in Africa is fine.
Poetry is the language of intensity. Because we are going to die, an expression of intensity is justified.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
Poetry is the rhythmic, inevitably narrative, movement from an overclothed blindness to a naked vision that depends in its intensity on the strength of the labour put into the creation of the poetry.
From the catbird seat, I've found poetry to be the necessary utterance it has always been in America.
She knew the intensity of adolescence, and knew no cure for it except growing up. And then one has age and experience, and mourns the loss of intensity. Maybe it's why musicians and mathmaticians are said to peak young-poetry needs the fire of an unbounded universe.
Poetry is the utterance of deep and heart-felt truth - the true poet is very near the oracle.
But poetry is a way of language, it is not its subject or its maker's background or interests or hobbies or fixations. It is nearer to utterance than history.
ID can be hijacked, and cards can be faked. All of the 9/11 terrorists had fake IDs, yet they still got on the planes. If the British national ID card can't be faked, it will be the first on the planet.
You say that freedom of utterance is not for time of stress, and I reply with the sad truth that only in time of stress is freedom of utterance in danger? Only when free utterance is suppressed is it needed, and when it is needed it is most vital to justice.
Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as it should be. But no man is perpetually in a passion and those states in which he is amused and amusing, detached and irreverent, if less important, are no less amusing. If there were no poets who, like Byron, express these states, Poetry would lack something.
Everything 'Atonement' does, it does incredibly well, including depicting characters of varying ages and temperaments and showing the intensity of early romantic love and connection and the very different intensity of haunting regret.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
I think fiction goes to poetry for the intensity of its use of language.
All real fantasy is serious. Only faked fantasy is not serious. That is why it is so wrong to impose faked fantasy on children.
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