A Quote by Seamus Heaney

I think the first little jolt I got was reading Gerard Manley Hopkins - I liked other poems... but Hopkins was kind of electric for me - he changed the rules with speech, and the whole intensity of the language was there and so on.
The idea is to take the most ordinary things and make them extraordinary, as Gerard Manley Hopkins does in his poems.
The blue-collar is not supposed to read Horace, nor the farmer in his overalls Montale or Marvell. Nor, for that matter, is the politician expected to know by heart Gerard Manley Hopkins or Elizabeth Bishop. This is dumb as well as dangerous.
I became so disciplined when I was on tag. I would be at home by eight o'clock, and because I had boxing, I lived the disciplined life. I started reading because I learnt that so many champions educated themselves. Joe Louis, Mike Tyson, Bernard Hopkins. Before, it was 'act now, think later' - but the discipline and reading changed me.
I'm cheaper than Anthony Hopkins. The other actors they asked to play Gandalf wouldn't go to New Zealand on that money for that length of time. I thought it would be a bit of an adventure. Tony Hopkins didn't think it would be an adventure. Tony is part of Hollywood. I'm an eccentric English actor, and there's a lot of us around.
The running joke on set [of the Westworlds] was that everyone at some point thinks that they're Anthony Hopkins. Like, "Guys, I think I'm Dr. Ford. I'm Anthony Hopkins. That's the twist." We love all of the theories. Part of the fun of that show is figuring it out.
Ben Hopkins is a very nervous, neurotic kind of person who is afraid of not being liked by people all the time. But, Monster-Me doesn't know who those people even are.
Hopkins is talking about fighting at Yankee Stadium but that's rubbish. If he fought at Yankee Stadium, even the ushers wouldn't want to watch him. Bernard Hopkins couldn't draw breath.
I remember somebody saying something to me about Frost/Nixon, when Anthony Hopkins does his famous speech, and the difference in the way Anthony did it was to dramatize, essentially, what was a documentary-style version of that speech. I remember someone saying to me, "There is artistic liberty."
Bernard Hopkins' style is the way...everything he does is for a reason - little head feints, little hand movements, little shoulder rolls and gestures are all finer points of the sweet science. Before contemporary times everyone did that kind of stuff.
The poems in Helena Mesa’s virtuosic first book, Horse Dance Underwater, run with such speed, verve, and alacrity they leave you breathless, exhilarated, and transformed as if the purest kind of song had lifted you into the air. By this quickness of language finding lyric speech, Mesa’s poems remind us of art’s joyous and ecstatic effects.
Who knows how long I have got left. I could be like Bernard Hopkins.
The ideal college is Mark Hopkins on one end of a log and a student on the other.
Anthony Hopkins is the kindest, sweetest most creative person I've met. He did something really insane between takes of the Westworld, out of nowhere. He started doing the lines from Silence of the Lambs, and I was like 'Oh my god, is this happening right now?' It was surreal. His voice changed, his demeanor changed, everything changed. He's a chameleon, in a matter of seconds he becomes something else.
You ask DeAndre Hopkins or you ask Julio Jones who's the best receiver, I don't expect them, even if they did think it was me, I would expect them to say it was them because that's the kind of mentality you should have.
I love poetry; it's my primary literary interest, and I suppose the kind of reading you do when you are reading poems - close reading - can carry over into how you read other things.
My first job out of school was to do basic research at Johns Hopkins University's applied physics lab.
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