A Quote by Sean Astin

Even though my parents were famous actors, I honestly felt most of the time that I didn't understand what was going on. — © Sean Astin
Even though my parents were famous actors, I honestly felt most of the time that I didn't understand what was going on.
I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
I think all kids think their parents are strict. My parents aren't superstrict, but they seem to be stricter than most. But even though it's like, 'Oh, gosh, I've gotta be in at this time,' they know what they're doing. I have great parents.
Everyone's parents were famous actors at my school, pretty much! I think I went to school with Paris Hilton when I was three. That's what L.A. is, though - it's an industry town. You go to school with kids and you think, 'Well that's normal, they make movies.'
Everyone's parents were famous actors at my school, pretty much! I think I went to school with Paris Hilton when I was three. That's what L.A. is, though - it's an industry town. You go to school with kids and you think, 'Well that's normal, they make movies.
Thank God that Bumble-Ardy's parents are dead so we don't have to wonder what they did to him. We only know that they were famous, and famous people have unhappy children for the most part. They don't have the time to take care of them. So he's a troubled pig-boy, a kid you've got to watch.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
I was raised in a religion that hardly ever acknowledges angels, and I never even heard of Michael until I was older. Angels were relegated to Christmas and Valentines, so I didn't really have any kind framework to understand this, even though my parents were open to things like intuition and psychic abilities and manifesting.
I think it's worse for actors, though, because people have to choose you. As a director, I get to choose the actors, but most of the time, actors have to be chosen in order to work.
When Marlee [Matlin] won her Oscar, she said, "and I just want to thank my parents." When I was saying those words for her, I knew my parents were in the audience. I was saying it for her and a little bit for myself, even though I wasn't saying it in sign language and they didn't understand what I was saying.
My parents wanted to be actors. They tried for years but didn't get anywhere. Then Mum got pregnant with me and they decided to make actors out of their children. You need your parents' support if you're going to do it. Otherwise who's going to ferry you to castings?
I felt, when I was 20, I wasn't quite ready for the physical contact of 82 games. Mentally, it was tough. I forgot what city we were in most of the time. I can't even imagine going through it at 18 or 19.
My parents are actors, and I'm the oldest of my siblings - I have three younger sisters and a brother who's my best friend. We're a close-knit, complicated family, but we spend a lot of time together, even though we live in different houses. We're a rambunctious gang!
My dad and mom were more like World War II-era parents, even though it was the 1960s, because they were both born in the '40s. They were young adults before the '60s even happened, and married, and already having kids. But by the time we were adolescents in the '70s, the whole culture was screaming at parents, "You're a good parent if you're open with your kids about sex." They attempted to be open with us about sex, and it made them want to die, and consequently, it made us want to die.
Honestly, I never thought we'd get a nomination for a Grammy, period. To be honest, we felt that if we were ever going to get one, we thought we had 'City of Evil' and 'Nightmare' and 'Hail to the King,' and those were all big records, and they never even sniffed at us.
I would say basically the commonplace observation that kids aren't going to earn as much as their parents is now is a coin flip at this point. Are you going to do better than your parents? It's a 50-50 chance, whereas if you were born in the 1940s or 1950s, you had more than a 90 percent chance you were going to do better than your parents. So basically almost a guarantee for most kids that you were going to achieve the American Dream of doing better than your parents did. Today, that's certainly no longer the case.
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