A Quote by Sean Bean

I really got my money's worth from colleges in Sheffield and Rotherham because I kept dropping out, and I wasn't sure what I wanted to do at first, like a lot of teenagers. — © Sean Bean
I really got my money's worth from colleges in Sheffield and Rotherham because I kept dropping out, and I wasn't sure what I wanted to do at first, like a lot of teenagers.
My dad is a mechanic from Sheffield and my grandmother lives in Rotherham, bless her.
I feel like there is a lot of inherent humor in the stress and insanity surrounding that process. People lose their minds, trying to prove their parental worth by getting their children into one of five colleges; when there are thousands of good colleges across the United States - and elsewhere.
I’m potentially worth a lot of money, but I’ve got to go and make something that’s worth a lot of money.
I'm potentially worth a lot of money, but I've got to go and make something that's worth a lot of money.
We say to the Creator of all this magnitude and majesty, ‘Well, I’m not sure You are worth it…. You see, I really like my car, or my little sin habit, or my money, and I’m really not sure I want to give them up, even if it means I get You.’
I used to play central defence for Sheffield United. I had Chris Morgan at the side of me, which helped me a lot because, if I did anything wrong, I'd be sure to find out about it.
I wanted to be a teacher because that is all I knew. It was a great course on primary school education, in which I could specialise in music, but I ended up dropping out after I was honest with myself about what I really wanted to do with my life.
I'm really, really, really, really conservative with money. I got to give myself a lot of excuses to spend money, because I come from nothin'.
Man, I really think I was just fascinated with money... and I always wanted it growing up. I always wanted money... Once I got upwards in age, the older I got, the more fascinated I got with money.
Can't Hardly Wait was a movie everyone wanted. I wanted the lead girl sooo badly, I think it was Lauren Ambrose. I wanted it so badly, I kept auditioning. I didn't get it, but I think everyone that auditioned - because everyone went out for it - got some screen time in it, like me.
You have to read a lot so you know what good writing looks like and you get inspired. You have to write a lot because it's like a sport - you have to practice. And, also, you have to persevere. Don't give up. I got rejected on my first book, like, 14 times, but I just kept going. So believe in yourself and don't give up.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
'The Watch' is first and foremost a comedy, but since I got to shoot the film using elements from the sci-fi genre, I wanted to make sure the alien didn't look goofy. I got to make a real alien that looks dangerous. That was a big plus for me because I got to do something really fun and cool.
I wish I could buy you for what you are really worth and sell you for what you think you're worth. I sure would make money on the deal.
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
I've never claimed that this is investment art. When we first started out, all the art colleges and universities across the country would sort of badmouth what we were doing. It's funny that a lot of them now are sending us letters saying, 'We may not totally agree with the way you paint, but we appreciate what you're doing, because you're sending literally thousands of people into art colleges.'
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