A Quote by Sean Bean
When I was younger, I used to watch all the black-and-white 'Dracula's and 'Frankenstein's.
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Me and my parents would watch old 'Frankenstein' and 'Dracula' and all those old black and white movies - as a kid, I'd lie in bed thinking that they would come out at night.
Villains used to always die in the end. Even the monsters. Frankenstein, Dracula - you'd kill them with a stake. Now the nightmare guy comes back.
When I was a kid, before there were VCRt, my parents had a movie projector, and we'd watch Frankenstein and Dracula. I just always though that stuff was cool - creepy comics and monsters and horrific stuff. Music lends itself to that whole theme.
When I was younger, living in an all-black neighborhood the other kids thought I was better than them because of my light skin and straight hair. Then we moved to an all-white neighborhood and that was a culture shock ... I'd been used to being around all black kids.
I always used to put on plays when I was younger for my family to watch, when I was 10 or something. I used to force older members of my family to watch the plays and younger members of my family to be characters in the plays - and my personal favorite was Batman.
I used to watch 'Doctor Who' as a child with William Hartnell and Pat Troughton in the black-and-white days, so being cast is brilliant.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
Frankenstein' was more programmed, but 'Dracula' we did as it came along because at the beginning we weren't sure how it was going to end - it wasn't written in the script.
When I was old enough to go to movies alone, I got to see 'Frankenstein' and 'Dracula' on the big screen. I just fell in love with them.
So many people of my generation all grew up with that shock theater package on television of 'Frankenstein,' 'Wolfman,' 'Dracula,' 'Mummy,' all the Universal stuff.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
I think that Michael Myers is an icon. The bad guys, it's always the bad guys that everybody loves. It's Michael Myers, it's Freddy, it's Jason, they're like the Dracula and Frankenstein of our generation. I think it started a new wave of horror films. They're cult classics and they're something that everybody wants to watch on Halloween.
It's logical when you become known to the industry with 'Dracula' and 'Frankenstein' that they typecast you and want you in their horror movies. That's how I got 'Blade,' of course, because they were fans.
When my family first moved to Hempstead in the 1960s, they were one of the first black families. It used to be an all-white neighborhood, but there was white flight when the black people with money started moving in. When I was, like, 13 or 14, Hempstead had just become all black, and the poverty became worse and worse.
My earliest childhood memories are of watching Abbott & Costello Meet Frankenstein and Frankenstein Must Be Destroyed. I remember not liking Frankenstein then and going, "Who is this bald guy?" But I love it now.
Everybody wants to do 'The View.' It's this iconic show. When I worked at the White House, I used to watch the beginning to see what they were talking about. If a political topic was on their radar, I used it as ammunition with the president or the White House staff.
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