A Quote by Sean Booth

I'm well into sort of Santiago Calatrava and people like that. — © Sean Booth
I'm well into sort of Santiago Calatrava and people like that.
I like going for walks in the western harbour, a newly-built area of Malmo where the old harbour used to be. It is surrounded by canals and waterways and the architecture is modern and innovative - the landmark Turning Torso skyscraper, designed by Santiago Calatrava, is the star of the show.
Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
Writing that sort of [songs like "Let is Roll"]made me try to almost sort of ingrain it in my own head every time I sing it live as well. It's like therapy. It's like "Move on, Pip! Come on. You can do this! You can do this."
I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.
Some people have like a certain person, when they're around they get like a gnarly energy. I see it in other people, if a certain person's around they compete really well or something like that. I think it's sort of like that.
This is not to say that the Scots are not fine people, but they were all sort of... well, my grandfather was a minister and sort of Protestant, and this was rather depressing to me.
I've always looked like I have a sort of bad-boy image as Too Short. People take that for face value. I kind of like that. I like the image. It suits me well.
I've wanted to be a professional actor for years and if you get any sort of success in that field then fame sort of comes along with it. But I don't know if I'm sort of media fodder like other people are. I'm essentially a family man.
The Road to Santiago is the road of ordinary people.
A man like Fidel Castro doesn't die: He is in the hearts and minds of the children who lined the streets when his ashes were driven from Havana, tracing the route of the revolution back to Santiago de Cuba.
The Santiago Bernabeu is an amazing stadium.
To me the sort of like, the ethos, if you will, of like tabloid is like Daily News in the 1970s. It's a news organization that thinks of its mission to speak directly to people who are kind of , the people who are sort of the foundation of the American workforce or were at one time. What I love about this conception of the tabloid is that actually everybody read it.
I don't consider myself an artist necessarily, but craftsmen or people in the arts, their spiritualism is sort of when you're writing well or performing well or doing whatever you do well, there's an element of that that's either God-given, a talent that you're not necessarily responsible for.
I feel like whenever I do a movie, people think, 'Well, that's good, but that's probably the best he'll do.' I sort of bang and bang and kick in a door, and people say, 'Now a million doors will open for you.' And they don't.
It is always special to play at the Santiago Bernabeu.
I think that people have some sort of vision that everybody is moving towards perfection, and that there is some sort of set steps or something like that that you can move through to get to that place, and that that's sort of the project of being alive.
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