A Quote by Sean Booth
It's incredible, but I think a lot of people it shot over their heads 'cause they're used to just getting images and messing around with them, and for us to do something quite so 'designed' was a bit of a shock.
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I don’t think that anyone has really told (people) what design is. It doesn’t occur to most people that everything is designed--that every building and everything they touch in the world is designed. Even foods are designed now. So in the process of helping people understand this, making them more aware of the fact that the world around us is something that somebody has control of, perhaps they can feel some sense of control, too. I think that’s a nice ambition.
I think a lot of people learn to code messing around with things while in secondary school. And for me, it started up as a hobby and a plaything, and I just became more curious over time.
I'm connected with a lot of different paranormal groups out there worldwide, a lot of different spiritual people. My networking over the course of the past 40 years has really grown where I deal with quite a bit. There's a lot of work that I do behind-the-scenes that I just don't ever talk about or things that don't always come to the forefront as far as investigating and getting involved with spiritual people, meaning any type of clergy, because I do work with a lot of them behind-the-scenes.
I think all of us have a sense if we imagine the kind of world we would face if the people who bombed the mess hall in Mosul, or the people who did the bombing in Spain, or the people who attacked the United States in New York, shot down the plane over Pennsylvania and attacked the Pentagon, the people who cut off peoples' heads on television to intimidate, to frighten indeed the word 'terrorized' is just that. Its purpose is to terrorize, to alter behavior, to make people be something other than that which they want to be.
Although images of perfection in people's personal lives can cause unhappiness, images of perfect societies - utopian images - can cause monstrous evil. In fact, forcefully changing society to conform to societal images was the greatest cause of evil in the twentieth century.
I thought the whole idea of being a conservative was to keep the government from messing around in people's lives. And yet they say the government should be getting into people's families. That's messing pretty heavily where I come from.
Fiction allows us to see the world from the point of view of someone else and there has been quite a lot of neurological research that shows reading novels is actually good for you. It embeds you in society and makes you think about other people. People are certainly better at all sorts of things if they can hold a novel in their heads. It is quite a skill, but if you can't do it then you're missing out on something in life. I think you can tell, when you meet someone, whether they read novels or not. There is some little hollowness if they don't.
What I try to do is reinvigorate strategies and clichés I find in Hollywood movies. At a certain point I had these huge folders, each one classified according to subject matter or genre: people with guns, people kissing, Indians and cowboys falling off horses, getting shot, getting shot with arrows - almost every plot device. Then I cropped the cheap, recycled imagery to give exhausted images new meaning, or at least something other than their original meaning. I'm basically reassembling atoms to give them a meaning that's more au courant.
The feather was a thing, when I was a kid, we used to find feathers around the house, and whenever we found them, my mum used to say it was my nan leaving them around for us to find, so that was quite sweet.
My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.
I got a little bit used to people stopping me in the street with 'V,' at least in America. Not that I think you ever really get used to it. It will always be a shock to be recognised for anything.
If you can say something to people that's maybe a little bit insulting, but they're kind of giggling as they are hearing it, if you say something to their face without them getting mad at you, I think that's the right balance. You don't want to make it uncomfortable, especially for the viewer or the people around either. Sometimes that happens. You're watching and you're like, 'Uh, this is awkward. I don't want to look!' But, if everybody's enjoying it, I think that works.
I think a lot of young people have incredible ideas and incredible insights, but sometimes they wait before they go give their life to something. What I did was just to start a little earlier.
There are certain songs that are sacred. People want to hear them just as they are in their head; they don't want you messing around with them. And then there are some other songs, if they've been around a long time in our set list, that I think we can take some creative liberties with.
Were "A Clockwork Orange" or "Blue Velvet" released today, would they have the same power to shock that they had when they came out? Are we too inured by that torrent of images and the ridiculousness of modern political life, so that nothing shocks us anymore? What does it take to shock someone today - or at least jolt them? I don't have an answer. I'm just asking the question.
Before every game I used to go out and shot the same shots over and over and over. In the summer time I spent a lot of time just shooting. So really it just came natural. Whether it's a tie game or down by 1 or up by five, it was always the same shot. So I always felt comfortable with the ball in my hands because it was in there a million times before.
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