A Quote by Sean Connery

It's a kind of madness in cosmopolitan cities now. — © Sean Connery
It's a kind of madness in cosmopolitan cities now.
I remember when I was young, many cities in the Muslim world were cosmopolitan cities with a lot of culture.
New York is at once cosmopolitan and parochial, a compendium of sentimental certainties. It is in fact the most sentimental of the world's great cities - in its self-congratulation a kind of San Francisco of the East.
All cities are mad: but the madness is gallant. All cities are beautiful: but the beauty is grim.
I go for cosmopolitan cities, and I like to be in the middle of everything.
There is a particular kind of pain, elation, loneliness and terror involved in this kind of madness... It will never end, for madness carves its own reality.
When I look at cities now, I don't see them in the present. This is the decaying infrastructure of our existing cities. Years from now, none of this is going to be here. New cities are going to rise.
Fifty percent of the world's population lives in cities. In a couple of decades, 70 percent of the world's population will be living in cities. Cities are where the problem is. Cities are where the solution is, where creativity exists to address the challenges and where they have most impact. This is why, in 2005, the C40 was founded, an organization of cities that address climate change. It started with 18 cities; now it's 91. Cities simply are the key to saving the planet.
Australia's a place I've always wanted to visit because of the beautiful beaches. I am surprised by how cosmopolitan the cities are; it wasn't what I expected.
There are many people of cosmopolitan temperament who are not from the elites of their societies or the world; and while, for a variety of reasons, I think a cosmopolitan spirit does naturally go with city life, that's the life of a very large proportion of human beings today. And I don't think rural people can't be cosmopolitan, in my sense.
To build a city where it is impossible to build a city is madness in itself, but to build there one of the most elegant and grandest of cities is the madness of genius.
There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars....But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Everything previously moving with the grain is now against-you are irritable, angry, frightened, uncontrollable....It will never end, for madness carves its own reality.
You have to take in the whole picture, and ask, "What is it you want? What kind of world do you want?" So, I have drawings of different cities. Those cities have an end goal; they're not just cities. The end goal of those cities is to make things relevant to people that they respond to. There's no other way.
It is no madness to say you will fall, you great cities.
We make weapons now that, if we ever used them, would kill ourselves. How do you explode a weapon with so much radiation in it that it will wipe out an entire city and think that it's not going to blow over your own cities? We all breathe the same air. It's madness.
I think the big danger of madness is not madness itself, but the habit of madness. What I discovered during the time I spent in the asylum is that I could choose madness and spend my whole life without working, doing nothing, pretending to be mad. It was a very strong temptation.
People are more aware now of cities and of different ways of life. I suppose the writing I do is a bit in the past, and I'm not sure it's the kind of writing I would do if I were starting now.
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