A Quote by Sean Connery
I'm fed up with the idiots... the ever-widening gap between people who know how to make movies and the people who green-light the movies.
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I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
Equality is not possible. The pursuit of equality, however, people really love that. For some reason, people attach the most wonderful of motives to people who say they see all this inequality out there and need to fix it. It's just not fair. You'll hear it manifest itself in discussions about the so-called widening gap between the rich and the poor or the widening gap between men and women. It's like actually two twin beds.
The long and short of it is that I am now in a position in England to green light movies, and that's really excellent - not high-budget movies, but movies none the less.
Ultimately the social change has to come from the people who make the movies, so the people who make the movies have to look at the landscape and say to themselves, "Well, you know, these things are changing, and I'm okay with their having changed, and I think it's okay to start reflecting those changes through the movies we make."
People complain about Hollywood movies being similar. That goes right down to the fundamental green light process, because the process involves having to compare it to three other movies.
I'm telling you, the disconnect is big, and the gap of understanding between the people in Washington, in news media, the New York/Boston/Washington corridor and the rest of the country, that gap is widening.
Our company, it's, uh, really un-sexy. And I think most people get into Hollywood to be showy. We first of all make horror movies, which people turn their noses up at. Second of all, we make cheap movies, and Hollywood's a lot about ego and money and, 'My movie cost $200m!,' you know?
Yeah, this is what I think was a quality of movies, is you're in a group of people. You're sharing something with people. Whether those other people make you laugh more, you're all laughing. You're all happy together. There's something... manmade about that in a way that's - I'm not sure how that manifests itself in nature, but culturally we've set that up when we invented theater and the movies and all that stuff.
For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
People come up to me on the street and say, 'Men at Work is the funniest movie I ever saw in my life'. But, you know, I do have to question how many movies these people have seen.
Ever since the Tim Burton Batman of 1989, it has been de rigueur in movies to focus on the freaky alienation aspect of the superhero's life: This is how talented people make movies for 14-year-olds while retaining their self-respect.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
The main issue [of the Scientific Revolution] is that the people in the industrialised countries are getting richer, and those in the non-industrialised countries are at best standing still: so the gap between the industrialised countries and the rest is widening every day. On the world scale this is the gap between the rich and the poor.
I started off making backyard movies. I think it began in fifth grade - I'd get the friends together and we'd make little home movies. I always wanted to make movies but I didn't know how. It was always something really fun to do.
I have done many movies that people hadn't seen. 'The Fountain,' I spent a year on that. 'The Prestige' with Chris Nolan, and 'Australia.' From my perspective it's very satisfying. Some movies people see and other movies they don't. 'Wolverine,' 'X Men,' I know that in some level people know me just for that and it's fine for me.
I feel like I grew up being babysat by a television, and all I ever wanted to do was be in movies, direct movies, make movies, but it took me a really long time to be honest with myself about it because my background is that my family was very poor.
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