A Quote by Sean Doolittle

It feels weird to say there's more to me than that, like I'm being overdramatic, and a tear rolls down my cheek. But, no - I do like I feel like there's more to me than just baseball.
I just feel my body clock is different when it comes to making films than other directors. Being on set, and sweating, that feeling eases me more than actually when the movie's over; being on set, moving around, to me feels more relaxing than being done with the movie.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
It'd be negligent to say that I don't want to be at the top of the charts. Of course I do, it's proof that your song is being heard. But I think it's more about the work for me and being proud of what I'm doing in music than what people think about my music. I want to like my music before you like it. I don't want to sell anything that I don't really like. I don't want to sell myself short just to get to the top of the charts. It doesn't feel that great. Feeling proud of your work feels greater than being at the top of the charts.
The emphasis is on community, on participating in more and more programs and events, on meeting more and more people. It’s a constant tension for many introverts that they’re not living that out. And in a religious world, there’s more at stake when you feel that tension. It doesn’t feel like ‘I’m not doing as well as I’d like.’ It feels like ‘God isn’t pleased with me.’
As much as I try to be present, it just doesn't really feel like reality. It feels like a fleeting thing. There's a million other incredibly wonderful girls that are much more talented than me that are out there all the time. So I'm just trying to appreciate it for what it is. But I don't want it to take on that feeling of pressure, because I don't know where that's gonna get me.
And you still love Marc?" "More than I can even explain. He's my rock—strong and steady, and ready for anything. He knows what I need before I know it, and he pushes me to work harder, and look deeper, and be better. He challenges me, and infuriates me, and he lights me on fire, deep in my soul. And he has never, ever let me down. Sometimes it feels like he's the only thing keeping my heart beating. I love him so much that it feels like I'm dying a little bit every day that he won't smile at me. Or touch me.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
I feel like I veer more away from technology than toward it. I'm a little scared of the direction we're going, to be honest. It feels like a sci-fi novel from the '50s, the way we can control everything and the solitude we each have in our own little bubbles, and yet we feel like we have social interactions. We're moving in a weird direction, at least.
I’d kill for you, Kylie Galen. But more than that, I’d die for you.” She felt a tear roll down her cheek. “You’d better not die on me, Lucas Parker.
I feel more confident and like I have more to say. I feel like I'm working more than ever, not just from fantasy, but actual experience. I'm an adult now - I actually have experience.
For me, how the person with me feels is more important than how I feel. I like making people around me feel happy.
I think I'm just generally more interested in figuration than abstraction. I think that painting abstraction often feels like painting colors to me, whereas portraits always feel like something connected. I like the exchange, the collaborative aspect of sitter and subject for sure.
I don't really like to pay attention too much to what is being said about me, only because the people closest to me - my parents, family, and friends - know me best. So I feel like their opinions mean more to me than anyone else's.
Music feels like therapy, actually. A lot of people come out of a therapy session and feel like a weight has been lifted - I got it out, I cried, I feel good. I think for me this is just my way of doing that. It's the only avenue I have that fulfills that, that makes me feel good about myself. And I don't mean that in regards to the rewards, or like getting some good review. That's not what it's about. It's more about trying to please myself. It's really sick and weird.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
I guess it's interesting traveling, for me, because I never in my life until doing this felt a sense of being from anywhere particularly, whereas now I do feel quite European. Even if we don't get up to England, if we're in France or somewhere like that, it feels more like going back somewhere familiar - more than even America, where we share a lot of cultural stuff.
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