A Quote by Sean Evans

When a high-profile celebrity sits down with you for an interview, there's no obligation for them to give you anything. — © Sean Evans
When a high-profile celebrity sits down with you for an interview, there's no obligation for them to give you anything.
To be sure, the hard-to-come-by interview - the 'get' - isn't an uncommon phenomenon here at 'The Daily Show.' We've had high-profile dignitaries, low-profile indignitaries, stars you've heard of, authors you should have read.
Celebrity poverty, that's the hidden scandal in Blair's Britain. You can't help but worry for them. A girl I knew developed X-ray eyes for celebrity sorrows. She taught me to read the subtext of the down-market celebrity interview, she knew all the Hollywood codes, and followed the deep backgrounds.
Some things are very low profile, but if they excite me creatively, I accept them. Sometimes there are high-profile projects, and you have to do it. We all have human limitations. It is a painful decision to turn things down. Even accepting 'Slumdog Millionaire' was a decision that I had to sacrifice another project.
The only thing that's different between high profile or celebrity divorces is that you have to do all you can to keep your client and the details out of the media.
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
'Project Runway' made my name more high-profile. I've gotten to work with a lot of different celebrity clients that I never would have otherwise.
It's not easy to be my sons because we're very high profile. We try so hard to give them a normal life. I'm very, very tight with them about money. I don't give that money until they ask, 'I need 100 yuan for my lunch card,' and so on. So they never have extra money.
I spend time on campaign creation and implementation, anything from sitting down with the agency or with creative companies. I also meet with supporters. We've been really lucky to have various high-profile supporters.
I did a show in New Jersey in the auditorium of a technical high school ... Technical high school, that's where dreams are narrowed down. We tell our children, "You can do anything you want." Their whole lives. "You can do anything!" But this place, we take kids - they're 15, they're young - and we tell them, "You can do eight things. We got it down to eight for you."
They can argue whatever they want. The problem is, when you interview every passenger, during the interviews you are looking for - you profile - you do profiling, to find the suspicious ones and put them out from the rest of the passengers.
I have heard some people say I have a low profile. Why should somebody be high profile, anyway? I am just doing my job.
Happiness don't ask to see who you be afore her sits down at your table. 'Er comes and sits with them as know how to welcome her and keep her the willing guest.
Humor is a reminder that no matter how high the throne one sits on, one sits on one's bottom.
Given the choice, children who don't want for anything will not save... We have an obligation as parents to give our children what they need. What they want we can give them as a special gift, or they can save their money for it.
Jeff [Koons] called me because he'd seen a portrait of David Bowie, at the beginning of the 80s - I've known Jeff for a long time - and he said, Greg, I want to look like a high-profile celebrity, living on the edge. I think that says it all.
A lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.
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