A Quote by Sean Evans

I never really see entertainment as a noble pursuit necessarily, but people really want a sense of normalcy, even if it's being delivered to them in a 'Hot Ones' episode.
I’ve never watched an entire episode of "American Idol." It’s too mean. Why would anyone want to go on a show to be ripped apart? I don’t want to be tough with my singers, but I do want to tell them on "The Voice" that if you really want this, you’ll be kicked when you’re down. You have to be willing to roll with those punches. You have to really want it.
I really loved ["The Love Affairs of Nathaniel P" by Adelle Waldman]. It's having a really hot moment. Unlike many hot books, it's actually really wonderful. I tend to have that reaction: I don't want to read it if everyone thinks it's cool. It was a really interesting insight into being young and male. Now that made me feel really thankful for my boyfriend and really thankful because he wasn't like that protagonist, but I know so many people who are like that protagonist.
Americans should be receiving one plate a day of hot food. That's not too much to ask in America. An MRE is very expensive for the American taxpayer. A hot meal is more affordable, it's cheaper. It's what people really need, it's what people really want. They feel all of a sudden that you are caring for them, that America is caring for them.
With a mammogram - as great as they are, and they do save a lot of lives - if you have very dense breasts, it really can't see if there is something in there. There are other tests, including an MRI, that can really go into the tissue and really see cell formation and hot spots, and that's what you want to see before it becomes a tumor.
I want make sure I'm showing up for the people I'm really close to and my family, and so finding a balance is really important. But I don't want to quit drag at all. I want to be 90 years old and I want them to prop me up in the doorway and have hot dudes dance around me like Mae West. I really do!
For me, I didn't really have family that was in entertainment. I didn't really grow up with an uncle that's a TV writer or something, so I didn't even know that it was possible at all. I slowly learned more about it and ended up here. I want people to not be discouraged by the fact that they don't have a legacy in Hollywood that's bringing them in.
I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television.
Indian audiences these days aren't really interested in watching a character on screen evolve. They don't want to see a young girl evolve into being a partner and enter motherhood - they are only really concerned about the story. As long as the story is getting interesting with every passing episode, they want more.
Life is hard, and a lot of people come home tired from work. If they're gonna spend half an hour reading, they want some entertainment and a sense of achievement. So that's what I give them. That's all I'm trying to do. Is that really so wrong?
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I don't really want to be compared to Bruce Lee or Jackie Chan, but I really feel honored and really proud that people actually see me as them or similar to them, and because they are my inspiration for what I have become today. I am really honored that people compare me to those people.
I don't even really see sit-ins and marches as passive. I see them as quite assertive. I see those as emotionally aggressive tactics. I see people putting their lives on the line and being bold and brave.
I say to people who care for people who are dying, if you really love that person and want to help them, be with them when their end comes close. Sit with them - you don't even have to talk. You don't have to do anything but really be there with them.
I just try to keep that connection to normalcy. I never want to lose that, being normal. People connect with me just as a cool, around-the-way type of guy. I never want to confuse people or go over their heads.
It's really fun to be in a film that's pure entertainment, that people want to go and see. I think, in the current climate, the state of things, people want escapism.
Nothing is bigger than life. There's nothing noble in death. What's noble about never seeing the sunshine again? What's noble about having your legs and arms blown off? What's noble about being an idiot? What's noble about being blind and deaf and dumb? What's noble about being dead?
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