A Quote by Sean Hannity

When I started in radio, I worked for free. I lived at the radio station. Then I worked for very little money. — © Sean Hannity
When I started in radio, I worked for free. I lived at the radio station. Then I worked for very little money.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
I probably worked every single entertainment medium, including some that don't exist. I worked the circus, carnival, I had my own medicine show, I worked 18 years of radio.
At 14, I began working in radio. I ran the board at a little radio station in Dallas.
I had the little Radio Shack crystal radio, and then my aunt Judy bought me a shortwave radio. It was amazing to me: like on these really clear nights - I lived in Ohio - I could get Texas or Florida. You felt like the world was a smaller place.
'Smoke On The Water' was ignored by everybody to begin with. We only did it in the shows because it was a filler track from 'Machine Head.' But then, one radio station picked up on it, and Warner Bros. edited it down to about three and a half minutes. It then started getting played by lots of different radio stations.
When I was a kid I had a friend who worked in a radio station. Whenever we walked under a bridge, you couldn't hear what he said.
In Africa, you only have an independent media in only eight African countries, so there is very little transparency. The best gift that rich countries can give Africa is Radio Free Africa and Radio Free Africa will do for Africa what Radio Free Europe did for Europe.
When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
When I was living in Boston, I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.
My mother had a radio show - a Barbara Walters type of gal and was very successful for about 20-some years on a radio station.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
My local radio station, WHOC, Philadelphia, Mississippi - '1490 on your radio dial, a thousand watts of pure pleasure' - it was a beautiful station. And I loved everything I heard. But it was country music that touched my heart.
I stream this radio station, Radio Nova, that's based in Paris. They curate a beautiful set that's really all over the place - they'll play blues or some West African music, then A Tribe Called Quest, then funk from Ethiopia, then James Brown, and then the Beatles. It's an amazing mix.
Every time I went on the radio, I would take the crummiest radio station, the station that was like a toilet bowl. I would go on there and build up the ratings, so you couldn't do any worse.
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