A Quote by Sean Hayes
Everybody kind of looks to comedians and comedy for relief and a fresh breath about what is going on in the world.
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Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
I wasn't even a big comedy nerd. A lot of the comedians I know - a lot of my friends are comedians - they knew a lot about comedy growing up.
I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
You do what you're supposed to do, but you have to be honest about what they're doing. When you do a comedy show on a network the problem is there are going to be a bunch of people who aren't comedians that are going to tell you what's funny.
I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.
That's one of the things about comedy that annoys me the most from a comedian perspective. Comedy has gotten so segregated. Now it's like if you don't agree with somebody, you probably aren't going to like their jokes. I think comedians are starting to write for their audience and not towards the country.
'Smart Funny & Black' came about because I felt that black comedians were being considered as only capable of a certain type of comedy - sort of physical, kind of silly - and I felt like we are not a monolith, and our comedy isn't, either.
I'm friends with a lot of comedians, but we don't talk about material. Most comedians I know don't watch a lot of other comedy.
I grew up loving David Letterman and Pee-wee Herman, but as far as live performance comedy, all I knew were the Jerry Seinfeld-type comedians of the world, and that's what I thought live performance comedy was all about.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama, and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.
From my experience working with comedians, there is that competitive aspect. With actors, for instance, they don't want to look competitive even if they are, whereas comedians, I think, are openly happy to play on the idea that they all compete with each other to get the laughs. There's something about comedy, I think, that encourages that. There's this kind of schoolboy sense of wanting to top the other person that we play off of to show them competing for who's smarter or cleverer.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.
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