A Quote by Sean Hepburn Ferrer

I also was deeply touched by 'The Nun's Story' because it was the first time I saw my mother in something other than a romantic comedy. — © Sean Hepburn Ferrer
I also was deeply touched by 'The Nun's Story' because it was the first time I saw my mother in something other than a romantic comedy.
I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
You know who you are. If my mother is a nun and someone comes up to me and they go, 'Your mother is a prostitute.' It is not going to bother me, because I know my mother is a nun, she's not a prostitute.
I knew after 'Sarah Marshall' that my favorite genre is romantic comedy. Nothing is more satisfying than a great romantic comedy.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
I'm definitely a romantic comedy dude because I'm a big romantic at heart. I'm a softy, so it's always nice to watch movies that make you think that love at first sight is actually possible.
When I was probably in middle school I saw the mini series Angels in America for the first time and I think Mary Louise Parker's performance in that first of all sparked a deep obsession with Mary Louise Parker, but I also really love Amy Adams because she gets to do comedy and drama so consistently.
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like 'Roman Holiday' or 'My Fair Lady.'
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like Roman Holiday or My Fair Lady.
When I first saw you, I saw love And the first time you touched me, I felt love And after all this time, You're still the one I love.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love at first sight, as one does, and above all a story in which no one is what they appear to be.
Some couples--most couples--waited years and years before they developed the ability to read or to feel each other so well. Then there were those very few who touched each other so deeply, so perfectly that first time that the bond was almost immediate.
Years ago someone wrote [about me]: 'She characterizes Molly Weasley as a mother who is only at home looking after the children.' I was deeply offended, because I until a year before that had also been such a mother who was at home all the time taking care of her child [...] What has lesser status and is more difficult than raising a child? And what is more important?
When I pray the Lord's Prayer, I begin with the first word, "Our. . ." (see Matthew 6:9) and I stop and ask myself, "Who do I include in this Our?" I remind myself that the story of God is bigger than my personal story, bigger than the story of my religion, bigger than the story of all humanity, and bigger than the story of all creation. In the kingdom of God, these four stories are all really my stories - all at the same time - woven together, giving meaning and life to each other.
Inspiration is a really hard thing to describe, but it's something that triggers your brain, like the first time I heard a certain guitar player that I loved or the first time that I saw a monster or the first time that I saw anything that really was an epiphany for me. It just stays with you your whole life.
Laura Bush has the face of my mother when my mother was young. The face, the body, the voice. The first time I saw on TV Laura Bush, I got frozen because it was as if my mother was not dead. 'Oh, Mama,' I said, 'Mama.'
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