A Quote by Sean Lennon

I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best — © Sean Lennon
I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best
I'm not that in control of myself that I could be specific about exactly the way I'm doing everything as it happens. I'm just trying my best.
Even though you try to put people under control, it is impossible. You cannot do it. The best way to control people is to encourage them to be mischievous. Then they will be in control in a wider sense. To give your sheep or cow a large spacious meadow is the way to control him. So it is with people: first let them do what they want, and watch them. This is the best policy. To ignore them is not good. That is the worst policy. The second worst is trying to control them. The best one is to watch them, just to watch them, without trying to control them.
With any independent film, it's all about getting everyone's schedules in line and everything together at the same time and just doing the best you can do when that happens - if it happens.
If it turns out that we're doing proper science from time to time, it just happens to be that that's the most efficient way of doing it. We go into each of these stories with an open mind, and one of the great things about how the show works is that we're not approaching it from a doctoral point of view, we're just trying to see what happens.
At the end of the day, it is about doing your best work - controlling what you can control and not trying to control what you can't.
Listen, I'm a performer, and all I'm worried about is just performing and just doing... This is what makes me happy, so no matter what, I'm going to give it my best shot, and I'm going to put myself all out there and give it 100%, and whatever happens, happens.
I thought I could get myself into the music business by doing paralegal work. I was just trying to get in any way I could.
I would just imagine there's a criticism for just about everything, if you want to take something down. No one's invincible. The Jicks are a work in progress and we don't think everything we do is the bee's knees or something, we're just trying our best to get turned on by what we're doing.
I'm just going out there and doing exactly what I'm coached and doing exactly what I'm supposed to do and just trying to help this team win.
As human beings we have this immediate gateway - you’ve just to articulate exactly the way that you’re exiled, exactly the way that you don’t belong, exactly the way that you can’t love, exactly the way that you can’t move ... and you’re on your way again. You’re on your way home. If you can just say exactly the way that you’re imprisoned - the door swings open.
All I can do is concentrate on what I'm doing, playing as well as I can at Celtic. Whatever happens outside, happens. I just need to do everything in my control, playing well.
What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn't what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I'd have to surrender myself completely. I'd lose all control. Everything I knew, everything I was, the walls I'd built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music.
The biggest mistake we make is trying to square the way we feel about something today with the way we felt about it yesterday. You shouldn’t even bother doing it. You should just figure out the way you feel today and if it happens to comply with what you thought before, fine. If it contradicts it, whatever. Life goes on.
I find myself skeptical of music that forces you to have a certain experience, emotional reaction, or specific constructive arc of experience. But performers should still take care of that, to a certain extent - how does it add up? What you want from performance, because we're all in a room together, is that somehow we've gotten somewhere at the end, together. You could call that a sense of narrative, but it's not so obvious how that happens. One way it happens is by everyone caring about it happening.
Life is simple. Everything happens for you, not to you. Everything happens at exactly the right moment, neither too soon nor too late. You don't have to like it... it's just easier if you do.
Cinematography was incredibly foreign to me, so I read as much as I could about it. Once I figured out that it was just photography with a set shutter speed, I got some slide film and I just went about storyboarding the script and taking snapshots. I took a ton of time doing it just to make sure I knew exactly what I was doing. By the end of it I knew what the film was going to look like - my exposure and the composition and everything. I wasn't scared of cinematography anymore.
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