A Quote by Sean Lock

Brown is definitely my colour. I like it's understated drabness. — © Sean Lock
Brown is definitely my colour. I like it's understated drabness.
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
I wear what I feel most comfortable in. I love black and grey. I like colour as long as it's understated.
Sometimes I can see colour without opening my eyes. I saw that Billy's heart was no colour and every colour. Like water or diamonds or crystals, it's pure and reflects the light.
For my money, Ray Brown is the greatest living bass player. Every great thing that's happened on bass since Ray Brown -- all of us point back to him. That's where it started, you know. Ray Brown is definitely a walking master, and to get to play with him is obviously an opportunity that no one should ever pass up.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
There is a brain mechanism that works to identify colour differences directly, without first identifying the absolute colour of each surface. So on my view there is no reason to suppose anything like ten million colour responses to surface viewed singly.
I love a dark brown blush, like brown on brown.
If envy is red and doubt is black then happiness is brown. I looked from the little brown stone to the tiny brown freckle to her huge brown eyes.
A beautiful feature in the colour wood-cut, and one unique in printing, is colour gradation... Two brushes are sometimes used, one charged with more potent colour than the other. Line blocks are nearly always printed with some variation of tone, and often in colour too.
I think spending a lot of time with my mom, who's a talker and a storyteller, and my dad, who has kind of a soft-spoken, understated sense of humor, I think that's how I became what I am, which is sort of an understated storyteller.
"Jace?" She offered him the glass. "I am a man," he told her. "And men do not consume pink beverages. Get thee gone, woman and bring me something brown." "Brown?" Isabelle made a face. "Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look - Alec is wearing it." Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded." "You could dress it up with a sequined headband," Magnus suggested.
You once said to me that I talk like a man in a book. I not only talk, but think and feel like one. I have spent my life in books; literature has deeply dyed my brain its own colour. This literary colouring is a protective one--like the brown of the rabbit or the checks of the quail--making it impossible for me to tell where literature ends and I begin.
To my eye Rubens' colouring is most contemptible. His shadows are a filthy brown somewhat the colour of excrement.
For me, pink or lilac is the colour of innocence, it's the colour of love, it's the colour of everything happy.
My eyes are green, and in one of them there is a splash of brown - apparently it is not a colour, but a freckle! Sometimes I notice that one eyelid droops more than the other.
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