A Quote by Sean Lock

The hardest I've ever laughed in a cinema was at 'Silent Movie' by Mel Brooks. I was 12-ish and I actually fell out of my seat. I saw it 10 years later hoping for the same hilarity but it didn't happen. I'm not sure if that's because of me or the film.
Silence in the turmoil of the theater world made me survive 50 years without speaking on a stage, only to say 'No' in Mel Brooks' film, 'Silent Movie.'
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
To me, in life, if there's, like, a rule, and I think it's ridiculous, then of course I'll circumvent that but also point out how ridiculous the rule is. Other than that, if I go to a concert, and my seat is Row G, Seat 12, I'm sitting in Row G, Seat 12. I don't care if I'm with five other friends, I'm supposed to be in Seat 12, that's my seat.
There's something magical about film, it's the ultimate for me, because it's kind of permanent - inasmuch as anything is. When I went to see Buster Keaton when I was about 14 and I came out of the cinema having really laughed at this film which had been made 50 years before, I thought: That's immortality. It's fantastic.
While I was writing the book, I went to see Louise Brooks's most famous film, Pandora's Box, at the Tivoli in Kansas City, and it was a lovely experience. You can watch old silent films on DVD or even on YouTube, but it was a different feeling watching her up on the big screen, seeing the film the way people saw it all those years ago.
The first movie I ever saw in the cinema was Walt Disney's 'Pinocchio,' upon its 1984 re-release, which would have put me at three years old.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
I'm so bad at dancing that I've actually been in two movies where the director of the film saw me dancing and thought it was so funny that in one movie they had me do it as the mental dancing of a real simple person. The other one was, like, to-be-laughed-at dancing. That's how bad my dancing is.
The first movie that I ever said was my favorite movie - and I've said for the longest - is 'The Producers,' Mel Brooks' original 'Producers.' The two lead performances from Zero Mostel and Gene Wilder are both unstoppable performances and then supported by amazing supporting characters throughout.
I was hoping for it to be possibly a movie career as I still would like to see that happen. I enjoyed making 200 Motels and did try out for a few things when I lived in LA, but nothing ever happened. I'm still hoping though.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
When you're 12, a 12-year-old girl is so out of your league, because they have no interest in you. You're like 10 years younger. You're 2 to them.
I was 11 or 12 years old when I first saw 'Reservoir Dogs.' I remember after I saw that film, I kept renting it from the video store because I wanted all of my friends to see it.
I grew up on Mel Brooks films. That was film to me until I got a little bit older and realised there were other kinds of movies.
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