A Quote by Sean Lock

I don't think it's any secret that the bigger the venue, the subtlety and artfulness of comedy declines. — © Sean Lock
I don't think it's any secret that the bigger the venue, the subtlety and artfulness of comedy declines.
I think comedy because of the Internet it has a bigger audience, a bigger fan base. It has fans that understand comedy more than any generation before because there is more guys like you, more guys like me, more guys like Louie CK who talks about it a lot. When you get a chance to see perspective that I don't think you ever got to see before.
You know, sometimes I worry, you know, is comedy and my type of comedy going to get stale? Is it going to be so offensive that it becomes uninteresting or so niche that I don't have an audience anymore? But it keeps getting bigger and bigger and bigger, where roasting now is a movement. These roasts are on in India, in Mexico.
Live comedy is fantastic. It's when live comedy is transcribed and reported and critiqued outside of the venue without context that things become complicated.
Every one of us is an artist, and as an artist, you really can stroll into any venue that you want, as long as you take your time to learn the etiquette of that venue.
Let me tell you, 10,000 is an intimate room. Believe me. I want to be able to connect to everybody in the room, and you can't with a venue any bigger than that.
There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.
I think the worst thing you could ever do is label comedy. I'm a fan of the broadness of Lucille Ball, the subtlety of Peter Sellers and the oddballness of Fred Armisen and the wittiness of Marty Short. I'm a fan of all of it, and I want to do all of it.
Declines in specific industries can never ignite a general depression. Shifts in data will cause increases in activity in one field, declines in another.
I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.
Part of my aspiration as a film actor is to bring subtlety to everything I do - honesty but subtlety.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding.
With Dawn I was afraid people would just think it's a B-movie and I didn't know what I was doing. That's really what I was afraid of. Like the subtlety of the movie they would miss. If the movie succeeds, it's that people understand the subtlety. That they're able to see past the conventions of what they think a movie is and go a teeny bit deeper and let it be both.
The secret to riches is the same as the secret to comedy - timing.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
What is man, when you come to think upon him, but a minutely set, ingenious machine for turning with infinite artfulness, the red wine of Shiraz into urine?
People working on bigger ideas on a more protracted timeline will be more on the stealth side. They aren’t releasing new PR announcements every day. The bigger the secret and the likelier it is that you alone have it, the more time you have to execute. There may be far more people going after hard secrets than we think.
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