A Quote by Sean Maher

I love 'Richard III,' but in terms of a general play, 'A Midsummer Night's Dream' has always been a big one for me. It's just so sexy. — © Sean Maher
I love 'Richard III,' but in terms of a general play, 'A Midsummer Night's Dream' has always been a big one for me. It's just so sexy.
I'd love to play Puck in 'A Midsummer Night's Dream.'
I fell in love with acting at around the age of 11, when I was drafted in to play a fairy at an amateur production of 'Midsummer Night's Dream.'
I considered several names, but Titania, a character from Shakespeare's 'Midsummer Night's Dream', was best able to portray the image I wanted for what is a fantastically elegant and sexy yacht.
I would love to play Richard III.
I loved doing Shakespeare. My two favorite roles, in fact, have been Viola in Twelfth Night and Helena in A Midsummer Night's Dream.
A couple of clues came my way of what I might be getting myself into when I sat down with a number of actors who had played Richard III in the past. And I was hoping of course, that one of them or all of them were gonna give me the magic key, the secret way in to play Richard III but none of them did that.But every one of them did say the following, "Be careful."
Francis Underwood was entirely based on Richard III. When Michael Dobbs wrote 'House of Cards' in the original British series, Richard III is what he based the character on.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
If you're a classical actor, every Shakespearean part you play, you then say, 'McKellen did it this way,' and, 'Jacobi did it this way.' There's a whole list of Oliviers and people, whether you play Hamlet or Richard II or Richard III, any of those roles. And I found that a bit when I did 'La Cage.' It didn't bother me one bit.
If you expect me to believe that a lawyer wrote A Midsummer Night's Dream, I must be dafter than I look.
Theater will cast in a more open way; Denzel Washington might play Richard III. Television and film don't really cast openly like that. The theater world has always been a leader in diversity.
For me, growing up in Indiana with cornfields and churches, I was always very intrigued by the Academy Awards - they were a big event. That was the one night of the year when all of the glittering movie stars got together, and I used to love that night because, as a child, it was a way to dream for me.
To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.
I think I hoped for something more. Maybe I even hoped that I could find in Richard what I had with Ben. But it is suddenly very clear: Richard is not fallin in love with me and I'm not falling in love with Richard. We are not creating anything permanent or special. We are only having fun together. It is a fling- a fling just like he said last night- a fling with an ending yet to be determined. I feel relieved to have it defined
Dream a big dream, a bold dream. Don't play conservatively between the 40 yard lines. Don't just play it safe.
I am better off with vegetables at the bottom of my garden than with all the fairies of the Midsummer Night's Dream.
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