A Quote by Sean Paul

Music tells you about the artist and what they were thinking about at the time, because the person has to think about it to sing it. — © Sean Paul
Music tells you about the artist and what they were thinking about at the time, because the person has to think about it to sing it.
Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'
When we are not engaged in thinking about some definite problem, we usually spend about 95 percent of our time thinking about ourselves. Now, if we stop thinking about ourselves for a while and begin to think of the other person's good points, we won't have to resort to flattery so cheap and false that it can be spotted almost before it is out of the mouth.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
You either have to sing about being scorned by a lover or sing about thinking a boy is cute and wanting him to notice you. That's about as edgy as you can get.
When I'm up on stage, I'm thinking more about my fans and about myself as a singer and an artist. When I'm at home being a daddy, the last thing I'm thinking about is being an artist. It is two things that I never really put together.
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National Portrait Gallery, I'm not thinking about the sitter; I'm thinking about how the artist chose that color or that highlight. It becomes about the time, place, and context.
What's missing is the music. I'd like to rant on and on about the music, the mechanics of it. It's what I think about 90 per cent of the day. I don't think about getting high all the time. I guess I do think about sex a lot, though...
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
I'm a writer, not an editor, and though the editing rarely cut into my writing time, it did take away from that walking-around-thinking-about-it-when-you're-not-thinking-about-it time that I think is important for writers. When you're half-thinking about what you're working on while driving, cooking . . . just letting things sift and settle, come to you.
When we were doing music, that's how we did-we just did it for the music. We weren't thinking about money, we weren't thinking about fame. Music was our passion.
You can't sing about the same things as you did when you were 20; it would be ridiculous to sing about, I don't know, being in the quad. You can't really write about mortgage payments or stuff like that... but you can talk about 'let's make the world a better place.'
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
The '90s period I just miss because it was such a great time and the music was just so electric. Everybody just had to bring their A-game back then because everybody that was, you know, a big influence...they were on the charts. I bring that era with me everywhere I go. I care about every word I sing. I care about every move I make on stage. I care about the fans. I bring that with me to the present time. And then, when you're timeless, you can work in any time.
I think now it's the money who tells the artist what to do - it's not the artist who tells the money what to do. And things move very fast, which is hard, because sometimes you need more time to be creative. I guess no one has a loud mouth like I did. They don't dare to scream loudly what they think. But you can't take fashion too seriously. The whole thing is about giving the woman who wears your clothes some power, some fun, some service. It's great to make it as art. But first, it's a service for someone.
When I was a kid, and God was talking to me about music, I was like, 'Okay, I'll sing mainstream music,' because I was afraid to sing Christian music to alienate my friends. Honestly, it was going on 'Idol,' having that kind of exposure, that I realized there's something different about me. I just crave God being a part of every moment.
A political ideology is a very handy thing to have. It's a real time-saver, because it tells you what you think about things you know nothing about.
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