A Quote by Sean Penn
I can tell you that my contribution based on my interpretation of the book is unchanged. The other things, in terms of doing the research and following the trail of it, were probably pretty similar to what I would have done then. I think that what makes me celebrate that it took the 10 years is the various other people and contributors that I ended up having on board.
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I don't do much public speaking. I did a lot of stuff for Bones, and then ended up having said yes to a lot of things that kept me on the road for a while for that, but then I pretty much stopped. I'm touring for this book, but when the tour is done, that'll be the end of it.
Most people will agree that they would like if they were treated by other people based on what they have concretely done in their life, not what other people have done, with their lives. Focusing on being a person instead of an Asian or an anything seems to promote a worldview that encourages people to treat others based on what each person has specifically done in their life, which seems like it would reduce such things as war, racism, unfairness, "hate crimes".
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
I like doing a lot of research, and then you get there, you're in wardrobe, and then you're just reacting to what the other person is doing. The other actor is reacting to what you're doing, and it's this great back and forth. Because you've done all this research, you can use some of it or throw a lot of it out. You can get lost in it.
'Amazing Grace' is not a book of interviews or onetime snapshots. It's a memoir of a journey that took me into a place I had never been and took over two years of my life. I don't think the people in this book would have said the things to me that they did if they perceived me as a reporter.
It's a real gift to work with my sister. We obviously have such a shorthand communicating with each other that it makes the process easier. And from growing up together and watching so many films together, we ended up with pretty similar taste.
The Swords were still interesting but by then a cast of characters had started to appear and go on from book to book, and other things about the world began to feel constricting. And there were other things I wanted to do, so I closed the series up and stopped it.
People had been so attached to the Diane [Cheers] character that audiences and producers found it difficult to think of me in any other terms. It took some time before people would consider me for other parts.
Without commenting on the legal aspects, which I'm not capable of doing, those are lifestreams and there are other companies that have done similar things. That makes me angry personally, not because of the money, but because of the deliberate failure to acknowledge work that we would have made freely available as academics.
Usually I like playing other people. I like finding myself through other characters. But when you do cabaret, you are yourself. I think it's the most fun, and I tell you, if somebody had told me that, I would have done it fifteen years earlier than I did.
It seems like most people will agree that they would like if they were treated by other people based on what they have concretely done in their life, not what other people have done, with their lives.
I think Donald Trump's interpretation of marriage is something that he himself doesn't really believe in. 'Traditional marriage' is where two people love each other, commit to each other, care for each other over the years. It is a meaningful ceremony, and his interpretation of that is not recognizing what real marriage is.
Every once in a while I think, 'What am I doing out here running, busting myself up? Life could be so much easier. The other guys are out having fun, doing other things, why not me?'
We have to program the mind of the public that age is not ugly. Age is just age. Wake up, American children, and stop listening to other people's voices. Know yourself, be true to yourself and make a contribution. It took me half my life to know myself. I listened to other people's opinions and took them as gospel.
My parents were very, very close; they pretty much grew up together. They were born in 1912. They were each other's only boyfriend and girlfriend. They were - to use a contemporary term I hate - co-dependent, and they had me very late. So they had their way of doing things, and they reinforced each other.
I remember my parents yelling at each other and at me from an early age, and I remember a lot of things smashing. I try to look for the happy memories from the brief time my parents were married, and I can't really recall that. From the start things were messed up, and I just kept moving through the years and trying to pick out the little bits of evidence that would help me prove to myself that it wasn't my doing. But it took finding out somebody really does love me, who's not my parents or a relative, to really know that I was loveable.
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