A Quote by Sean Penn
It's a foreground of my feeling. That place moves me. And I don't mean my country; it's part of our shared natural world that happens to be particular to a sense of wherever my storytelling inclinations come from and my own history of kind of being a road rat and travelling.
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Fantasy, in addition to being great storytelling, moves us at some unique and profound level. It has, I think, the power of mythology, or ancient dreams we have always and forever shared. In it, we find our real world and our real selves.
A perfect practice of Christianity would, of course, consist in a perfect imitation of the life of Christ -- I mean, in so far as it was applicable in one's own particular circumstance. Not in an idiotic sense -- it doesn't mean that every Christian should grow a beard, or be a bachelor, or become a travelling preacher. It means that every single act and feeling, every experience, whether pleasant or unpleasant, must be referred to God.
Being part of The L Word made me realize how much more television can be that what I had experienced in my lifetime in terms of being able to be of service to people. I had so many fans come up to me who were really deeply appreciative of the show and what it had meant for them and their own sense of identity and their own sense of inclusion in our society and in our culture.
Girls, in particular, use storytelling to establish hierarchies, a pecking order. There is a sort of jockeying of who is in charge of shared history.
With the films, it starts off with certain coordinates in the world and seeing what happens. What happens if you place yourself at an oil refinery in the Middle East? What happens if you place yourself in the White House Cabinet Room? What happens if you place yourself with Brad Pitt on the set of a film? And so on. And no matter what I capture, there is a sense of déjà vu to it, like you might have come across this visual before.
The Internet is allowing us to get back to what's really more natural, which is that storytelling is a shared thing. It's our natural way to be communal.
The most profound question is, "What would I risk dying for?" The natural answer is "for my family." But for most of history, we didn't live in families. We lived in small communities that gave us our sense of safety and place in the world, so the natural answer would be "for my people." The blessing and the tragedy of modern life is that we don't need our community to survive anymore. When we lose that idea, we lose a sense of who we are.
Why do we so mindlessly abuse our planet, our only home? The answer to that lies in each of us. Therefore, we will strive to bring about understanding that we are--each one of us--responsible for more than just ourselves, our family, our football team, our country, or our own kind; that there is more to life than just these things. That each one of us must also bring the natural world back into its proper place in our lives, and realize that doing so is not some lofty ideal but a vital part of our personal survival.
Genetics and beats? I feel like the drumbeat is a natural thing. Our heartbeat moves at a certain BPM. The drumbeat, being the first instrument, the platform for us, being that we all kind of come from that - it's all beats.
Natural inclinations are present in things from God, who moves all things. So it is impossible for the natural inclinations of a species to be toward evil in itself. But there is in all perfect animals a natural inclination toward carnal union. Therefore it is impossible for carnal union to be evil in itself.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
There's a sense of aliveness that comes from connection, shared experience. And you see it in every place. You see it when ball players jump up and down, gather at home plate, hugging, and it's not just because they're winning, it's that shared moment, that feeling of - we enter the world alone, we leave alone.
I have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.
For books I want to keep reading, it's definitely the voice. It must be a voice I've never heard before, and it must have its own particular intelligence. By 'voice,' I don't mean vernacular. It has to have its own particular history and world that it inhabits.
People say never work with children and animals. I actually like working with Oliver Bell, and working with a rat really opens possibilities to you because you don't know how it's going to be. It's just a rat, so you can just react to this rat being a rat, if that makes sense.
Environmentali sm is really about seeing our place in world in a way that humans have always known up until very recently - that we are part of nature-utterly dependent on the natural world for our well being and survival.
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