A Quote by Sean Penn
I can't imagine being quite as lucky at any other time - I certainly never have been before. That goes right down from my producing partners to people like Eddie Vedder. But the two things that make me feel that this was meant to be now and not before was that the story itself has more resonance today - I find it a more important story today than it was then - and Emile.
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I'm more intrigued by things that I haven't really conceived of yet. I have the luxury of being able to think: "I've never done a ballet or an animated film myself." There are certain things that I feel I'd love to. I just want to keep trying new things and seeing if I'm any good at them, and if I'm not, then at least learning that. I definitely think I'm more interested in what medium I can explore right now than any specific story.
I remember my mother saying to me on one occasion, 'Mel, I know that I can count on you.' I resolved that she would always be able to count on me. I would not let her down. I loved her too much. Her confidence in me meant everything. Today I still feel that way. I feel that way about the Brethren. I don't ever want to let President Hinckley or any of the other leaders of the Church down. But, even more important, I never want to let the Savior down, because I love Him more than anything else.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
I certainly don't delude myself that there aren't certainly more important things to do in life than make people laugh, but I can't imagine anything that would bring me more joy.
My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime.
I've found great virtue in two-thirds of the way into the message; right before I'm really want to nail home a point, pausing to tell a joke or to tell a light-hearted story, because I know my audience has been working with me now for 20 or 25 minutes. And if I can get them to laugh, get oxygen into their system, it wakes up those who might be sleeping, so there's something about using a story to draw people back in right before you drive home your final point. In that case I think it's real legitimate just to use a story for story's sake.
We didn't exactly believe your story.' Then --?' 'We believed your two hundred dollars.' 'You mean --' She seemed not to know what he meant. 'I mean that you paid us more than if you'd been telling the truth,' he explained blandly, 'and enough more to make it all right.
I hate being too serious about anything. If I'm with my friend, I want to be having fun with him or her. And if anybody is reading my story, I want them to be not only reading the story, but I want them to feel they're having fun; that they're enjoying it. So any way you can make it more informal, more fun-filled, more amusing - instead of just a dry story that goes on and on - if there's any way to do that, I like to try and do it.
I felt like Alan Turing's story was such an important story to tell, and it was so wonderful to write the script and other people find it and say, 'I never heard this story.' It's such an amazing story that people don't believe it.
Spend more time working before you write page one. Then, the story - at least parts of it - will feel as though it is writing itself.
Things are more like today than they have ever been before.
Spending time with you showed me what I’ve been missing in my life. The more time we spent together, the more I could imagine it lasting in the future. That’s never happened to me before, and I’m not sure it’ll ever happen again. I’ve never been in love with anyone before you came along — not real love anyway…not like this. And I’d be a fool if I let you slip away without a fight
You create a friendship on a level that you've never done before. The basic kind of experience is to basically give love to total strangers all the time, and that really changed everything in me. And this piece transformed me more than any other one before. I saw my entire life differently. What do I have to do? What is my passion on this planet? I'm much more focused than I ever was before.
Am I in the Forbes 100? Absolutely not, and I'll never be there. But for the first time I make so much money that I feel poor, like I have to cultivate and protect this fortune. But I never had more than $20 in my pocket before RuPaul's Drag Race so I feel so privileged with money, it's terrible. I bought a $300 beige t-shirt today.
I learned to separate the story from the writing, probably the most important thing that any storyteller has to learn-that there are a thousand right ways to tell a story, and ten million wrong ones, and you're a lot more likely to find one of the latter than the former your first time through the tale.
Dance is so prominent, now more than it's been before, but I still feel like there's this void that needs to be filled that tells the story of a contemporary dancer who is in a company - I don't know, just that's my dream to do that.
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