A Quote by Sean Price
My first go-round was in a group called Heltah Skeltah, I did that, it was cool.
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Heltah Skeltah-meets-Portishead would be like the Brand New Heavies Hip Hop album, something like that. That's dope, word.
I never go to the Grammys. I just never go. I don't know if I care enough, and I went because my son wanted to go, and they asked us to present Best Hip Hop Group of the Year. You know, we had two records from Compton in there, and it was just like a cool thing to do, and to do with your son, and it was just cool. But we was the first award up, so after I did my thing I just jumped in the car and came on back home.
Surviving the first round is never my aim. Ideally, I'd be in one group with Brazil, Argentina and Germany. Then I'd have lost two rivals after the first round. That's how I think. Idealisitic.
And the seasons they go 'round and 'round And the painted ponies go up and down We're captive on the carousel of time We can't return we can only look behind From where we came And go round and round and round In the circle game.
I've been doing Nixon pretty much my whole professional life. I was in this comedy group called the Credibility Gap in Los Angeles when he was president. I was doing Nixon on the radio, and when we did live shows I physicalized him - if that's a word - for the first time. And then I did a Nixon sketch on a very short-lived NBC show called Sunday Best.
Our very first group was called The Prunes.' We did a lot of campgrounds, living rooms, and backyards.
I know someone who works in a record shop where I live and I'll go in there and he'll play me "Have you heard this single?". Singles by, er the group called The Tights, so an obscure thing... and a group called, I think, er Bauhaus, a London group. That's one single. There's no one I completely like that I can say "Well I've got all this person's records. I think he's great" or "This group's records" it's just, again, odd things.
Da Pak was a group out of Chicago. It was a put-together group. We actually met for the first time at this showcase. They were like 'Yo, you should do a song together.' So we did. It just so happened that the name of the song was 'Wolf Pak.' They said, 'Y'all should be a group called Da Pak, and here's a record deal.'
One of the most important secret societies of the 20th century is called the Round Table. It is based in Britain with branches across the world. It is the Round Table that ultimately orchestrates the network of the Bilderberg Group, Council on Foreign Relations, Trilateral Commission and the Royal Institute of International Affairs.
It's cool to make the playoffs. It's not cool to lose in the first round anymore. The goal is to make the Finals.
Three of tonights performers are members of the group Return To One, whose album Hopes and Dreams I heard for the first time a couple of weeks ago. Blown away by the album, I called Nathan Hubbard, the drummer and composer for the group, and with whom I've played on a couple of Trummerflora-related occasions, and asked him to round up several of his Return To One cohorts for tonight's show. I can't recommend their album highly enough; please pick up a copy.
'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.
I don't think I'm ever surprised at how high the quarterbacks go. There could be a lot of teams that often times don't have a lot of first-round grades on guys that are going in the first round, and that's just the nature of the business.
You're always kind of having to 'make it' over and over again, which is cool and makes it fun. But I remember thinking, when I first did it, I was like, 'Cool. I made it. It happened.' And I did not. That's not how it works.
I feel like I always win at least a round or two at every tournament. I don't go out in the first round too often.
I did a TV show called 'Unit 1.' It wasn't a bad experience, but yes, the first season I didn't have a good time because I was coming from Nicolas Winding Refn films where the corners were sharp and radical, but now we had round corners.
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