A Quote by Sean Spicer
It's about being right and trying to get the facts and get the story right, and inform, you know, the readership or the viewership. And there are some reporters that do that.
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When you're developing a story, for me anyway, it's all so important to get the script right, especially when you're telling the story of an icon. You've got to get it right. Otherwise, you'll get killed by critics and fans.
A writer need not devour a whole sheep in order to know what mutton tastes like, but he must at least eat a chop. Unless he gets his facts right, his imagination will lead him into all kinds of nonsense, and the facts he is most likely to get right are the facts of his own experience.
I want to get a gold star. And I know that there are places that I need to go in order to get the story right. I'd rather do it right than have to do it twice.
When I said yes to host the 'IPL,' I wasn't trying to fill in someone else's shoes. I wasn't trying to prove a point. I was only going to lend my style to the show, ask the right questions, get my facts right, keep the viewer informed and basically leave no room for error!
I'm not sure I would call it agony but there is a kind of cyclic frustration. You get one story right and then here comes another one. When does that end? What I'm trying to do is get it to end right now, by recognizing that that cycle is writing. That is: trying to understand the frustrations and setbacks (and agony) as part of a bigger chess game you are playing with art itself.
I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.
If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
You're neither right nor wrong because other people agree with you. You're right because your facts are right and your reasoning is right - that's the only thing that makes you right. And if your facts and reasoning are right, you don't have to worry about anybody else.
If you get all the facts, your judgment can be right; if you don't get all the facts, it can't be right.
The refs are trying to do the right thing. They're trying to make the right calls, but if you put a lot of pressure on them as far as being in their face, it's embarrassing. They don't want to get yelled at a fourth, fifth time.
I met a bunch of comic-book writers at the Metropolis convention and there was such an interesting discussion about the story of 'Supergirl' and trying to get it right. It can be a challenge, because you don't want it to be the same as the Superman story.
The inspiration is all in the script, in the text. So whatever it is, either it is a film or a book to be illustrated, anything. Everything you need to know is in the text. So the thing is trying to find right tone and voice, the right style, the right way of expressing the emotions in a story or in the location of the story, but it is all in the text.
I've found great virtue in two-thirds of the way into the message; right before I'm really want to nail home a point, pausing to tell a joke or to tell a light-hearted story, because I know my audience has been working with me now for 20 or 25 minutes. And if I can get them to laugh, get oxygen into their system, it wakes up those who might be sleeping, so there's something about using a story to draw people back in right before you drive home your final point. In that case I think it's real legitimate just to use a story for story's sake.
I know when someone that's not you tries to tell your story, especially when you don't look like the person whose story you're trying to tell, you're going to screw it up. And the only way to get it right is to have them be as involved as possible.
I never dreamed about being on a hit television series. I've never really related my dreams to that specific of a work goal. I was always enjoying the moment. Acting, writing, looking for roles and getting involved with people and trying to create something that would be entertaining to people. With "E.R." we were all very lucky to get this combination of people together in the right story in the right way to take it to the level it has reached.
We all, we all good people just trying to escape the negative influence that come around us and that's the story of my life, you know? Trying my best to get around the ills and I bumped my head a few times but I think, you know, music is my savior for right now, for me and my whole group.
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