A Quote by Sean Spicer

I have spent some time talking to Rex Tillerson. He's an amazing human being. He's an American success story, not just in his business life. He's a rags-to-riches success story. He stated working at 8, lived in a one-bedroom house until the time he went to college, and grew to become the CEO of one of the world's largest companies.
And in reality, I don't think it's a real documentary. It's more a story of her life. It's a story of survival. It's a story of the time in which she lived. The story of success and failure.
Bernard Harris is a great example of the American success story. In Dream Walker he describes how he is trying to pass on his experience and success to the next generation -- we can all learn from his real life story.
This business can be very frustrating but there is success story after success story of people who take the bull by the horns. Actors who are frustrated ... [should] do your own project. Find a writer, shoot a movie. It can be done.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
I have always said the success of the show has stemmed from our audience being able to relate to the characters on different levels - being based on the universally loved Arthurian legend is only a tiny part of its success - it's a story about acceptance and growing up. The breathtaking finale of this series leaves you with no doubt that characters have been on their journeys and had their stories told - it's completely the right time to draw our telling of the story to a close.
My life has been sensationalised into a rags to riches story.
Adam had once told Gansey, "Rags to riches isn't a story anyone wants to hear until after it's done.
Your success story is a bigger story than whatever you're trying to say on stage. Success makes life easier. It doesn't make living easier.
Mr. Murphy is really, really amazing. I have admired him from the time that I saw the first season of 'American Horror Story.' I watched 'Glee,' but once I saw 'American Horror Story,' I was like: 'I'm working for him.'
The story of American pop music is the story of failure. The blues, country music, it's not the story of success. People don't win; they lose.
A conventional ‘success’ story is one where, with each next, the protagonist has more money, more respect, and more possessions. I’d like to suggest an alternative ‘success’ story – one where, with each next, the protagonist is closer to finding that spot where he’s no longer held back by his heart, and he explodes with talent, and his character blossoms, and the gift he has to offer the world is apparent.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
From the very beginning, Europe has been not only a success story but also a story of success achieved by learning.
From the very beginning Europe has been not only a success story but also a story of success achieved by learning.
That business we started with 10 people has now grown into a great American success story.
The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.
This site uses cookies to ensure you get the best experience. More info...
Got it!