A Quote by Sean Spicer
If we want to take a bunch of phrases and run them through a Google and say 'Hey, who else has said them,' I can come up with the list in five minutes.
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When I became director of the Metropolitan Museum of Art, it was stodgy, gray, run by elitists. I said, 'Hey, let's kick the thing around.' I wanted to attract young people to the museum. I said, 'Make it hospitable. I want them to come. I want them to make dates, pick up girls, pick up boys - either way; I don't care.'
I called up a bunch of the CEOs of Silicon Valley companies and said, 'Hey, can I come and see you? And I'd like to learn about what you're doing.' And I don't know, most of them said yes.
If to take up books were to take them in, and if to see them were to consider them, and to run through them were to grasp them, I should be wrong to make myself out quite as ignorant as I say I am.
Hey, big spender,” I said. He looked appreciative but more amused than anything else. He reached into his pocket and pulled out a one dollar bill. “Hugh,” I said. “Don’t insult me.” With a sigh, he produced a five and tucked it underneath my bra strap. “Hey, Seth,” Cody suddenly said. I looked up and saw Seth standing in the doorway. A look of comic bemusement was on his face. “Hey,” he said, studying me. “So…you’re paying for dinner?
How could we have such a low view of the gospel of Jesus Christ that we have to manipulate men psychologically to get them to come down and pray a prayer? …How many times have I heard evangelists say, “It’ll only take five minutes.”? No my dear friend, it will take your life–all of it!
We were also performing. We'd give them a list of, like, 'Here's how we want to be introduced' They'd be like, 'Great' And then 5 minutes later they'd come back, 'Bad news: we lost your list. But good news: we've got a trash bag full of weed!'
It used to be that phrases and lines would come into my head, often many of them in a period of five days or a week, and maybe I didn't know what I was talking about, but the words had a kind of heaviness or deliciousness to them.
So we went to Atari and said, 'Hey, we've got this amazing thing, even built with some of your parts, and what do you think about funding us? Or we'll give it to you. We just want to do it. Pay our salary, we'll come work for you.' And they said, 'No.' So then we went to Hewlett-Packard, and they said, 'Hey, we don't need you. You haven't got through college yet.'
Successful people just don't let failure define them or keep them from doing what they want to do. For example, I'd have people come up to me after my shows, and they'd say they want to do stand-up but are scared they're going to fail. I'd tell them, "You are going to fail, and anyone who is success has powered through many, many failures."
If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.
One of the first times that I went into a book store and saw a bunch of my books, my impulse was to put them all under my coat and run away so that no one else could see them, even though, of course, I wanted everyone to see them.
We need to call what is happening out of Washington, D.C., what it is: Bureaucratic terrorism: If you want a list of stories, I could go through a bunch of them, and I could highlight a few: One of them was the IRS audit of my good friend Phil Hart, he's sitting in the audience today. That was bureaucratic terrorism.
I want to leave my readers with a sequence of ideas/phrases that makes them question something they'd taken for granted. Or that confuses them to the point that they laugh, but contains one or two phrases/lines that stick in their minds.
About four years ago I made a list, for my own amusement, of the playwrights, the contemporary playwrights, by whom critics said I'd been influenced. I listed twenty-five. It included five playwrights whose work I didn't know, so I read these five playwrights and indeed now I suppose I can say I have been influenced by them. The problem is that the people who write these articles find the inevitable similarities of people writing in the same generation, in the same century, and on the same planet, and they put them together in a group.
Speaking for myself, I spend a good ten minutes a day deciding whether or not to read the results of new surveys, and, once I have read them, a further five minutes deciding whether or not to take them seriously.
When I stand up in front of groups of people who agree with me, I know I have to really step my game up because I can't just sort of meet them where they're at; I have to take them somewhere else. They want you to challenge them and have good ideas.
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