A Quote by Sean Young

I've been forced to deal with my character assassination. — © Sean Young
I've been forced to deal with my character assassination.
When I came into the music, I was forced to be a CEO. I was forced to be an entrepreneur; I was forced to... because I was looking for a deal. I didn't have this grand scheme of starting a record company and then morphing into a clothing empire.
The Senate has been debased to the level of a forum of hate and character assassination sheltered by the shield of congressional immunity.
I think the rules in Congress, and in particular the rules in the Senate, are unbelievably archaic and slow-moving and, in many cases, unfair. In many cases, you're forced to make deals that are not the deal you'd make. You'd make a much different kind of a deal. You're forced into situations that you hate to be forced into.
Whether you like Kanye or not, there has been a character assassination against this guy. You don't have to agree with everything he says, but you do have to defend his right to say it.
I was forced to be an artist and a CEO from the beginning, so I was forced to be like a businessman because when I was trying to get a record deal, it was so hard to get a record deal on my own that it was either give up or create my own company.
The villains are all parts of me. For years I've been wondering what it would be like if all those negative elements were forced onto the main character's side. I can understand a character with that kind of anger.
I admire men of character and I judge character not by how men deal with their superiors, but mostly how they deal with their subordinates. And that, to me, is where you find out what the character of a man is.
The important thing to know about an assassination or an attempted assassination is not who fired the shot, but who paid for the bullet.
You must learn to deal with your own beliefs directly or you will be forced to deal with them indirectly.
Assassination on the scaffold is the worst form of assassination.
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
The assassination at Sarajevo was certainly the crucial precedent of the European war that its conspirators had sought, but was not the historical cause ... The assassination acted as a lever, prying the various powers into predictable paths.
Well that's too bad, because this is an assassination." "No, this is an execution." "The difference would be...?" "Assassination is murder. Execution is justice.
I cannot be indifferent to the assassination of a member of my profession, We should be obliged to shut up business if we, the Kings, were to consider the assassination of Kings as of no consequence at all.
What happens in the media is the cult of personality. The brands who have been forced to cut their staff have been forced to take on the brands of journalists.
Too often character assassination has replaced debate in principle here in Washington. Destroy someone's reputation, and you don't have to talk about what he stands for.
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