A Quote by Sebastian Faulks
I've found contemporary Britain difficult to write about because it seems to me to have lacked gravity or grandeur. This is some cultural problem which I don't really understand. It simply isn't the same in the United States.
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The United States is such a potent political, cultural, and economic model in the evocation of the contemporary world, that to come here, select some elements from the prototype and rearrange them, that's really interesting artistically.
To say that people around the world deserve the same, the same life that we have in the United States, the same freedoms that we have, that seems to me, humble. I think it's humble to say that the United States, which has been given so much, should give back.
I have a British voice and a rather formal one at that, having been brought up in post-WWII Britain. My voice is perfectly suited to the sort of book I write, I think. It would not fit a contemporary, besides which I do not know enough about the contemporary world to write convincingly or comfortably about it!
At the Rose bowl, when America was playing Mexico, and those that live in this country who have come here from Mexico booed the United States - there's a huge problem with that. This is not the first time that this has happened and I think that, that is because in the United States the cultural Marxist ideas of separating people into different racial groups.
What everybody forgets is that when I was a journalist in Britain and in the United States, I was always a Canadian. And the price of expatriation does not go down, it goes up. I never felt part of the political common sense of Britain. I never felt it in the United States. I had no natural home in Britain and the U.S.
The United States can certainly defeat North Vietnam, but the United States cannot defeat a guerrilla war which is being raged from a sanctuary through a pattern of penetration, intervention, evasion, which is very difficult for a technologically advanced country like the United States to combat.
Much of the world today, including the United States, is still living in the social, cultural, and political aftermath of Britain's cultural achievements, its industrial revolution, its government of checks and balances, and its conquests around the world.
But what most astonishes me in the United States, is not so much the marvelous grandeur of some undertakings, as the innumerable multitude of small ones.
I do find it easy to write songs about heartbreak; it comes really naturally to me. It was a little bit more difficult for me to break my mould and tackle different subjects. You know what it's like because you're a writer. You don't want to tread on the same territory. Writing about the personal stuff was a little difficult because I'd worry about who would read it and who would be offended by it.
The question "What shall we do about it?" is only asked by those who do not understand the problem. If a problem can be solved at all, to understand it and to know what to do about it are the same thing. On the other hand, doing something about a problem which you do not understand is like trying to clear away darkness by thrusting it aside with your hands. When light is brought, the darkness vanishes at once.
On a certain level, the film retains a cultural memory. It may be meaningless to some kids, but it doesn't matter. A lot of the '90s references will be meaningless, but do some of these kids really understand what they're wearing when they wear a Led Zeppelin shirt? No. But, it looks cool and it seems to have some sort of cultural cache.
The interesting part is, that being the United States Secretary of State, most places I went didn't have a problem with me being a woman, because I was representing the United States.
I see the war problem as an economic problem, a business problem, a cultural problem, an educational problem - everything but a military problem. There's no military solution. There is a business solution - and the sooner we can provide jobs, not with our money, but the United States has to provide the framework.
It's so necessary to try and record the cultural memory of people. To set it down for generations to come. To better understand where we are headed. The problem is, a good portion of what we choose to remember is about willed forgetting. Which we all do, I believe, to protect ourselves from what is too difficult.
The United States does not have a very good record in the Middle East. I think they have the best of intentions but I think the problem is that it's very difficult from Washington, or from Iowa or Nebraska to understand what is happening in this crazy part of the world. In some cases US diplomacy has been somewhat naive.
The cultural value of 'Gossip Girl' was this interesting question. Sure, it seemed to have been a worldwide, cultural phenomenon for some time. And, yes, anywhere I go, I do get recognized. At the same time, it also lacked the kind of importance that people might anticipate.
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