A Quote by Sebastian Giovinco

Off the pitch, I'm a little bit reserved, but I'm always smiling. — © Sebastian Giovinco
Off the pitch, I'm a little bit reserved, but I'm always smiling.
The last few years have been my happiest. I'm happy in the years that most people are blue and sad and waiting to die. I don't feel that a bit. Smiling has a lot to do with it. You can just lift your spirits by smiling a little bit.
The last few years have been my happiest. Im happy in the years that most people are blue and sad and waiting to die. I dont feel that a bit. Smiling has a lot to do with it. You can just lift your spirits by smiling a little bit.
I believe that I am a different person off the pitch than I am on it. On the pitch, I am a bit louder, and off the pitch, I am quieter.
I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.
I'd like to be more assertive when it comes to confrontation. I'm fine on the pitch, but off the pitch, I'm a bit of a softy.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
Musicians always come off sounding a little bit pretentious, and a little bit... I don't know, hypocritical, from what they do, talking about strong issues.
I've kind of found out that when I do get into trouble, that when I do have people on base, sometimes the best thing is to throw a little bit more off-speed, back off a little bit.
On the pitch, I will always be like that. That's my character, and I will always compete and compete - always. I'm a different guy off the pitch, as you can see, but on the pitch, I will not change.
On the pitch, I have always had that responsibility to lead the team. But, of course, when you are captain, players, especially the young ones, they look at you more for the things you do on and off the pitch. But I have always been a very calm person.
Within the changing room, everyone has always known I'm best when I pitch the ball up and get a little bit of movement.
That's what Brazilians are like - we're always having a laugh, we're always smiling, and my aim is to bring this spirit into the dressing room and onto the pitch, to play with a smile on my face.
My mom was always pretty supportive. She saw me do plays and she'd always act out the parts I did. My aunt, who played a big part in my life, was a little bit more reserved, because if they don't see you on TV every week they think you must be starving.
If they are going to nibble and try to go below the zone or off the plate a little bit, I want to try and get a pitch in the zone that I can do damage on.
I had written four scripts before I wrote Recount. Each one progressed my career a little bit, but I didn't make a dime off any of them. Recount was the first thing I sold, and I actually sold it as a pitch to HBO. They bought it as a pitch, which was a miracle. I thought, "Wow, this could be the last time I'll be paid to write a script again, which would be too bad because that was an amazing experience I just had."
That has always been my character - on the pitch I have a strong temperament, but off the pitch I'm more serene, reflective. I manage to separate out those two things.
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