A Quote by Sebastian Horsley
An artist has to go to every extreme, to stretch his sensibility through excess and suffering in order to feel and to communicate more.
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An artist has to go to every extreme, to stretch his sensibility through excess and suffering in order to feel and to communicate more. I have always been fascinated by blood. Pain can be vitalizing; it gives intensity in the place of vagueness and emptiness. If we don't suffer, how do we know that we live?
I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.
The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepens his understanding and sensibility, in growing through his pains.
The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepen his understanding and sensibility, in growing through his pains.
I have great admiration for power, a great terror of weakness, especially in my own sex, yet feel that my love is for those who overcome the mental and moral suffering and temptation through excess of tenderness rather than through excess of strength.
If an artist tries consciously to do something to others, it is to stretch their eyes, their thoughts, to something they would not see or feel if the artist had not done it. To do this, he has to stretch his own first.
If an artist has the possibility to contact an infinitely larger public through the pages of a publication, he should try to invest more rather than less and go as far in his effort to communicate his inner image as he can.
We feel neither extreme heat nor extreme cold; qualities that are in excess are so much at variance with our feelings that they are impalpable: we do not feel them, though we suffer from their effects.
What I strive most to achieve in art is to make you forget the material. The sculptor must... communicate whatever struck his sensibility, so that a person beholding his work may experience in its entirety the emotion felt by the artist while he observed nature.
And Christ, through His own salvific suffering, is very much present in every human suffering, and can act from within that suffering by the powers of His Spirit of truth, His consoling spirit.
Ideally there is a type of continuum which flows from life through the artist's sensibility and his materials... the concreteness of the object and its own life , through the spectator, with his expectations, interpretations, back into life.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
Climate change carries implications that stretch far beyond extreme weather, however. The effects on public health are far more alarming - and those have to be taken into account in order to calculate an accurate estimate of the costs of inaction.
These days there are painters that go inside a factory in order to be inspired by the noise of machines, so that it affects their works. Of course, artists need sensibility; sensibility towards their environment and their community, but when they are stirred enough by their experiences in their society they can create their art in small studios.
One of the worst things that can happen to an artist is to perceive himself as the owner of his art, and art as his tool. A product of the marketplace sensibility, this attitude barely differs on a psychological plane from the patron's view of the artist as a paid employee.
People drink to numb the pain and suffering. I think it's the pain and suffering that drive you to become an artist. The art itself should be the pain, sort of exorcising every demon and making you feel like you're a person that matters.
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